I HAS GIBSON
Moderated By: mods
- laterallateral
- Traynor or Death
- Posts: 5950
- Joined: Wed Jan 16, 2008 12:15 am
- Location: Montery Howl
No other parts. But I did find a fairly inexpensive period tailpiece and TOM so far. I would love a Charlie Christian, just for the effect and since I don't have one. But for now I will get a cream dogear P90.
There's just this one little problem with it. This one thing that frightened other buyers and kept the price down around $200 until the last few minutes.
OH NOZ! It has a big fucking hole on teh front!
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There's just this one little problem with it. This one thing that frightened other buyers and kept the price down around $200 until the last few minutes.
OH NOZ! It has a big fucking hole on teh front!
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Yell Like Hell
- laterallateral
- Traynor or Death
- Posts: 5950
- Joined: Wed Jan 16, 2008 12:15 am
- Location: Montery Howl
And trust me, it's an ugly hole. But the thing is so pretty. But light. And it seems like a fairly short neck. It's called an ES-125TC. It was only made during the 60s, and this one only had one pup. I guess the owner before ripped the guts out and mounted some Teisco parts onto it. I think most of those holes around the bridge will have to be patched. Luckily I still have mapplez from fixing the hole in the back of the Mosrite.
I don't think the guy got ripped off, because it it stripped down and completely fucked. But in the back of my mind I am looking at it, thinking hey--this is a 66 Gibson. It's still not the Gretsch or LP I have always secretly wanted, but I think it will do the trick. But this is as scary as it gets for someone playing around with restoring guitars. And try Googling for info on this kind of fix. As with the Mosrite and Coronado, there was next to nothing about it. The neck looks worse than it is. A lot of that is crud and Dots' DNA.
I have seen two of those harp guitars before. One owner said they take hours to tune. It was display only.
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I don't think the guy got ripped off, because it it stripped down and completely fucked. But in the back of my mind I am looking at it, thinking hey--this is a 66 Gibson. It's still not the Gretsch or LP I have always secretly wanted, but I think it will do the trick. But this is as scary as it gets for someone playing around with restoring guitars. And try Googling for info on this kind of fix. As with the Mosrite and Coronado, there was next to nothing about it. The neck looks worse than it is. A lot of that is crud and Dots' DNA.
I have seen two of those harp guitars before. One owner said they take hours to tune. It was display only.
Yell Like Hell
I would love to have a gold top, and considered it--especially one with cracks in the paint. I mean, all bets are off, right? I could even put in inlays at this point. But I think what I would rather do is put in my maple patch(es) and try to match the colors. The guitar has scars, no excuses. If it looks crap, I could start with Dakota on top. It would cover the patches, look natural, and the cracks would still show. But that would mean having two red archtops and one orange, so I don't know. Three red would be nice...
I did just find a new vendor for nitro paint. Check this shit out: opaque red nitro furniture PAINT for $2.50!
I did just find a new vendor for nitro paint. Check this shit out: opaque red nitro furniture PAINT for $2.50!
Yell Like Hell
If it were mine and I was having someone do the work for me I think I would ask for something like this...
- fill large hole on the body, holes in the bridge pickup area, holes for the bridge and holes towards the tailpiece.
- dog ear p90 in white at the neck, with vol and tone pots. white pickguard to match
- standard tom style bridge, and archtop tailpiece (no bigsby)
- refin (keeping the binding) in one of these two colours (or possibly some sort of awsome burst surf green into sherwood or something)
Pelham Blue
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Gretsch Smoke Green
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- fill large hole on the body, holes in the bridge pickup area, holes for the bridge and holes towards the tailpiece.
- dog ear p90 in white at the neck, with vol and tone pots. white pickguard to match
- standard tom style bridge, and archtop tailpiece (no bigsby)
- refin (keeping the binding) in one of these two colours (or possibly some sort of awsome burst surf green into sherwood or something)
Pelham Blue
Gretsch Smoke Green
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Shabba.
- Progrockabuse
- .
- Posts: 4865
- Joined: Mon Jan 14, 2008 11:54 am
- Location: Derbyshire
that is the hottest 335 i have ever seen, i need that guitar in my life.James wrote:
Pelham Blue
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Fender Classic Player 60’s Stratocaster>East Coast T1 Tele>
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
1 time host of PROGFEST
Epiphone Les Paul SL>Ovation 12 String acoustic>Peavey Strat DIY Relic
Marshall Origin 20H>James’s old purple 2x10
Marshall MG10 Combo
1 time host of PROGFEST
I understand where you're comin from, that current finish really looks great. goldtop would be amazing though.DGNR8 wrote:I would love to have a gold top, and considered it--especially one with cracks in the paint. I mean, all bets are off, right? I could even put in inlays at this point. But I think what I would rather do is put in my maple patch(es) and try to match the colors. The guitar has scars, no excuses. If it looks crap, I could start with Dakota on top. It would cover the patches, look natural, and the cracks would still show. But that would mean having two red archtops and one orange, so I don't know. Three red would be nice...
I did just find a new vendor for nitro paint. Check this shit out: opaque red nitro furniture PAINT for $2.50!
cogito ergo sum...thing or other...