Posted: Wed Mar 31, 2010 8:32 am
Alesis nanoverb
Golly I hate to be contrary, but I haven't noticed any problems with my HG+ on my onespot, and I actually notice a volume boost when the blend is past 3 o clock. Just trying to supply another data point, I guess.avj wrote:I've also not noticed a drop on my Holy Grail Plus. From memory, I think things do get a little quieter (relative to the bypass signal level) after going past the 50/50 mix position, but I think it's an intentional design point. If, at 100% wet, the level of the initial attack was as loud as the bypass signal, I would think it'd end up being much louder as it reaches its peak and starts decaying.plesiosaurus wrote:I haven't noticed a volume drop on my Holy Grail Plus?kim wrote:
keep in mind the volume drop on these !
I was borrowing a friend's Holy Grail Plus while awaiting a new tank for my '73 Vibrosonic, and I loved it so much I snagged one on local CL. I contemplated the Cathedral when it came out, but I was worried that I wouldn't make great use of its many features. As it is now, I mainly use the Vibrosonic's reverb for a very subtle spring and use the HGP for a pretty over-the-top hall sound.
One word of warning with the Holy Grails -- new and old -- is I've read they really don't play well with daisy-chained power. The HGP does not take batteries and seems to work fine and noise-free with the Voodoo Labs Pedal Power 2+ and several other Boss and EHX-supplied standalone 9V center-negative adapters.
Hey man, if you have the time/means, I would really really really like to hear a clip of the reverse reverb at 100% wet. And with some dirt too maybe?electricsparkle wrote:hugh wrote:I'm waiting for PGS to get the cathedral back in stock. They're pretty expensive, but I'm a reverb guy, don't like delay much.
I have one and its a relly good reverb pedal. I'm in love with it . All the modes, the infinite reverb tap, saving presets, the delay, the dedicated tap tempo....I'ts so cool and no artifacts that I'd heard
I bought it from woodbrass in France for 148€!
Sadly, I think this statement can be applied to pretty much any gear demo That's actually what led me to this fine site in the first place...found the unthinkable on youtube (people doing no-nonsense gear appraisals without any of the near-obligatory pentatonic wankery). The fact that I love shortscales (my jag is my favourite guitar hands-down) is just a bonus really.hugh wrote:I've searched high and low for a good clip of the reverse, but it's always blues dudes doing the same thing.
Blues sounds so much worse with reverse reverb/delay. I just want someone to get their MBV on, is that too much to ask?jumbledupthinking wrote:Sadly, I think this statement can be applied to pretty much any gear demo That's actually what led me to this fine site in the first place...found the unthinkable on youtube (people doing no-nonsense gear appraisals without any of the near-obligatory pentatonic wankery). The fact that I love shortscales (my jag is my favourite guitar hands-down) is just a bonus really.hugh wrote:I've searched high and low for a good clip of the reverse, but it's always blues dudes doing the same thing.
Sure, no problem, I try to do it in the next days, dirty, clean and muffuzzier . ¿What kind o recording you want? ¿Mic or line in in stereo from the Cathedral?hugh wrote:Hey man, if you have the time/means, I would really really really like to hear a clip of the reverse reverb at 100% wet. And with some dirt too maybe?electricsparkle wrote:hugh wrote:I'm waiting for PGS to get the cathedral back in stock. They're pretty expensive, but I'm a reverb guy, don't like delay much.
I have one and its a relly good reverb pedal. I'm in love with it . All the modes, the infinite reverb tap, saving presets, the delay, the dedicated tap tempo....I'ts so cool and no artifacts that I'd heard
I bought it from woodbrass in France for 148€!
I've searched high and low for a good clip of the reverse, but it's always blues dudes doing the same thing.
No offense taken, and hooray for more data points! My comments about the daisy-chained power were based on anecdotal evidence I ran across while researching noise issues I had with an HGP I was borrowing (which turned out to be genuinely defective). I also was going purely from memory with the "quieter past 50/50" statement, as I have pretty much stuck to one setting and haven't dicked too much with it. I planned on confirming these statements, but I haven't had a free evening moment all week.plesiosaurus wrote:Golly I hate to be contrary, but I haven't noticed any problems with my HG+ on my onespot, and I actually notice a volume boost when the blend is past 3 o clock. Just trying to supply another data point, I guess.avj wrote:I've also not noticed a drop on my Holy Grail Plus. From memory, I think things do get a little quieter (relative to the bypass signal level) after going past the 50/50 mix position, but I think it's an intentional design point. If, at 100% wet, the level of the initial attack was as loud as the bypass signal, I would think it'd end up being much louder as it reaches its peak and starts decaying.plesiosaurus wrote: I haven't noticed a volume drop on my Holy Grail Plus?
I was borrowing a friend's Holy Grail Plus while awaiting a new tank for my '73 Vibrosonic, and I loved it so much I snagged one on local CL. I contemplated the Cathedral when it came out, but I was worried that I wouldn't make great use of its many features. As it is now, I mainly use the Vibrosonic's reverb for a very subtle spring and use the HGP for a pretty over-the-top hall sound.
One word of warning with the Holy Grails -- new and old -- is I've read they really don't play well with daisy-chained power. The HGP does not take batteries and seems to work fine and noise-free with the Voodoo Labs Pedal Power 2+ and several other Boss and EHX-supplied standalone 9V center-negative adapters.