winter namm new pedals
Moderated By: mods
List is $109.80 USD per this article:ekwatts wrote:Well I'll wait until I see some videos of the talkbox stuff and the price for the Neo Mistress.
http://www.premierguitar.com/Magazine/I ... anger.aspx
Did Doog say something about doing away with the '80s ROCKER aesthetic? Clearly he hasn't seen my favorite pedal so far this year:

http://www.digitech.com/products/Pedals/lyra.php

http://www.digitech.com/products/Pedals/lyra.php
Liam Finn uses a loop pedal to great effect for his live shows. There's a performance of him on David Letterman on YouTube, but I'm on my phone and don't have the energy to track it down.timhulio wrote:Also, lots of looping stuff. I've never seen a looper pedal successfully used in a live band situation, whether to trigger pathetic samples or tediously layer shit on the fly. Has anyone else?
I've long tried to make a loop pedal work in a full-band context, but the biggest hurdle is getting completely jacked into the rhythm section and having their full cooperation. You need to be completely sure your shit is locked tight with the bass and drums, and after you start a loop, they need to be able to let the loop lead the charge for the duration; it's not going to change tempo like they can. Proper execution is made even more difficult if you don't have adequate monitoring at rehearsals and gigs.
This only applies to rhythmic or percussive passages, obviously. If you just want to layer a bunch of atonal ambient stuff, it's cake. I was considering picking up a DigiTech JamMan single pedal because it destroys the RC-2 -- but now I'm super-juiced for the RC-3.
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dude from russian circles/dakotadakota uses an rc50 and rc20xl and dominates the looping shit.
i saw brand new perform a cool version of a song where each member would come out and later a particular part of the loop in order to make up the main part of the chorus, and then when jesse came out and started singing, he stopped it, but when he started it again, the full band was ready to rock and added all the other parts in. it was heavy.
i saw brand new perform a cool version of a song where each member would come out and later a particular part of the loop in order to make up the main part of the chorus, and then when jesse came out and started singing, he stopped it, but when he started it again, the full band was ready to rock and added all the other parts in. it was heavy.
dots wrote:fuck that guy in his bunkhole.
Haters will hate on this, but Trey Anastasio made awesome use of the Boomerang in Phish. He would use it to grab little notes or phrases that he would bring back in at various times during the show to kind of unify all the jams. It was a very subtle, tasteful technique.timhulio wrote:Also, lots of looping stuff. I've never seen a looper pedal successfully used in a live band situation, whether to trigger pathetic samples or tediously layer shit on the fly. Has anyone else?
Akai has a new line of analog pedals, but the housing just looks like som chinese made oem pedals I've seen under different names.
The description of this one seems like a Big Muff rip

http://www.akaipro.com/trimodefuzz
They also have a phaser with two sweep rates but limited controls.
http://www.akaipro.com/phaseshifter

http://www.akaipro.com/products/new.php
The description of this one seems like a Big Muff rip

http://www.akaipro.com/trimodefuzz
They also have a phaser with two sweep rates but limited controls.
http://www.akaipro.com/phaseshifter

http://www.akaipro.com/products/new.php
paul_ wrote:When are homeland security gonna get on this "2-piece King Size Snickers" horseshit that showed up a couple years ago? I've started dropping one of them on the floor of my car every time.
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