30" scale Telecaster/ Esquire bass build (pics)
Moderated By: mods
Because of the shorter scale and slightly more narrow string spacing the 51 P bass pickup will have to be at a greater cant than on a 51 P bass.
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I used a curved chisel and then a dremel sanding drum to open up the pickup route to accept the 51 P bass pick up.
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I need help thinking through this next part.
I will have to jack the pickup up on something as this rout is way deeper than I need. I suppose a block trimmed to fit under the PU is one way but would be nasty to shield over.
I was trying to think of other ways to uniform the bottom and raise it as a single plane. A puddle of epoxy came to mind.
Any other ideas I should consider?
JR
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.
.
.
I used a curved chisel and then a dremel sanding drum to open up the pickup route to accept the 51 P bass pick up.
.
.
I need help thinking through this next part.
I will have to jack the pickup up on something as this rout is way deeper than I need. I suppose a block trimmed to fit under the PU is one way but would be nasty to shield over.
I was trying to think of other ways to uniform the bottom and raise it as a single plane. A puddle of epoxy came to mind.
Any other ideas I should consider?
JR
Not a solid base, but what about foam like under Jag pickups? Easy to cut to shape and thickness you need, and still screw into the body at the current depth if you get longer screws?Rotor wrote:I will have to jack the pickup up on something as this rout is way deeper than I need. I suppose a block trimmed to fit under the PU is one way but would be nasty to shield over.
I was trying to think of other ways to uniform the bottom and raise it as a single plane. A puddle of epoxy came to mind.
Any other ideas I should consider?
JR
- honeyiscool
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Neck dive shouldn't be a problem with lightweight tuners and the fact that these are guitar dimension necks, not big bass necks.
The way I would do is to rig up a mounting guard out of pickguard material, kind of like this but bigger:
Make it out of aluminum and it would look cool, too.
But you bend inward. Anyway, is that a humbucking pickup? It looks split somehow.Rotor wrote:They were way off and looked odd not being under the strings. Asthetics mostly also, I bend quite a bit and I want them in the center most spot to cover me.
JR
The way I would do is to rig up a mounting guard out of pickguard material, kind of like this but bigger:
Make it out of aluminum and it would look cool, too.
Kicking and squealing Gucci little piggy.
it probably balances about the same as a normal telecaster. it has a guitar body and the neck is set in the body in a way that it sticks out about the same as a guitar neck.stewart wrote:nice work so far. interested to see how it balances without a proper top horn though.
cogito ergo sum...thing or other...
- hotrodperlmutter
- crescent fresh
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- Location: Overland Park, KS, USA
@ thom; I mocked it up with some foam but it was so tall that the stability was bad and the screws were only barely penetrating the wood. I think will put a ½ inch puddle of epoxy in the bottom and build foam up from there.
@honeyiscool; It is a humbucker. Fralin split coil 51
A trim plate would be just the thing but the angle is greater than any of the conversion plates I have seen. I would have to fab one up and I’m not much with that. I don’t mind it open the way it is now.
@ finboy; I have thought about ashtrays but that Musicmaster bridge flares out too much.
@ Dan; I like all those other ones. The Billy Orange Thinline was by Rhomco and I got the idea from looking at his.
@honeyiscool; It is a humbucker. Fralin split coil 51
A trim plate would be just the thing but the angle is greater than any of the conversion plates I have seen. I would have to fab one up and I’m not much with that. I don’t mind it open the way it is now.
@ finboy; I have thought about ashtrays but that Musicmaster bridge flares out too much.
@ Dan; I like all those other ones. The Billy Orange Thinline was by Rhomco and I got the idea from looking at his.
So I got this imported “ Alder� body from Rondo for $40.00 because it had not been drilled for guitar bridge holes. I thought it was a bargain but I am reminded that you always pay in the end.
There was a most tenacious sealer in this wood. ( disclaimer; If I had been painting this, I would have been all set. Because I was committed to and oil finish the sealer had to come off) No chemical warfare would touch it. (Kleen, Citri strip) I had to sand it off and it was nasty. 60 grit felt like it was bouncing off at first. I caved after a few attempts and bought a sander with a replaceable wedge/ prong doohickey at the front to get inside the horn.
It came out the other side as a flat top. I considered leaving it that way but then knocked the radius down a little.
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In retrospect using alder for a dye job with an oil finish was not the best idea. I am comfortable with the techniques from working on lots of surplus M1 stocks. I had not read up on alder and now understand it’s properties don’t make a great candidate for a dyed natural finish on account of it grain pattern can look splotchy under dye. None the less I am committed
And will give it a thinned conditioning coat before the dye goes on.
JR
There was a most tenacious sealer in this wood. ( disclaimer; If I had been painting this, I would have been all set. Because I was committed to and oil finish the sealer had to come off) No chemical warfare would touch it. (Kleen, Citri strip) I had to sand it off and it was nasty. 60 grit felt like it was bouncing off at first. I caved after a few attempts and bought a sander with a replaceable wedge/ prong doohickey at the front to get inside the horn.
It came out the other side as a flat top. I considered leaving it that way but then knocked the radius down a little.
.
.
.
.
In retrospect using alder for a dye job with an oil finish was not the best idea. I am comfortable with the techniques from working on lots of surplus M1 stocks. I had not read up on alder and now understand it’s properties don’t make a great candidate for a dyed natural finish on account of it grain pattern can look splotchy under dye. None the less I am committed
And will give it a thinned conditioning coat before the dye goes on.
JR
As mentioned above, even though this is alder it this is going to have an oil finish.
It has been recommended to me, that to dye Alder, a conditioning coat should be used to better to control the speed and depth of color absorption. The reason is because using dye on woods like alder and birch can cause the final job to appear splotchy.
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For my purposes a conditioning coat is just my final finish thinned 50/50 with mineral spirits. I have worked on mostly gun stocks for the past 8 years and found some products I really like. Behr’s Scandinavian Tung Oil Finish (TOF) is one of them. It is an easy to work with, flat drying oil with some driers in it. No varnish in it to my knowledge and I have asked around. I have always stayed away from Birch-Casey Tru-Oil on rifle stocks. Not just because of the “metal� spelling but on the advice of cabinet makers and gunsmiths I respect. I did break down and try it on the Bronco neck on this project. I’m happy to say that while I think it will protect the neck nicely I don’t think it is an actual oil finish. Working with it felt like working with polyurethane. It may have “polymerizing oils� in it. I’ll bet that’s code for polyurethane. It just did not have the work time that oil does, Tung or Boiled Linseed (BLO ).
Anyway back to the bass.
In goes the 50/50 conditioning.
.
.
Let it dry for a couple of days and in goes the dye ( Trans-tint vintage amber thinned in denatured alcohol)
.
.
.
.
.
It does look a little splotchy but I think after I build and oil finish it will mellow out a lot.
It will never pass for butterscotch but I think I am going to like this look.
.
JR
It has been recommended to me, that to dye Alder, a conditioning coat should be used to better to control the speed and depth of color absorption. The reason is because using dye on woods like alder and birch can cause the final job to appear splotchy.
.
.
.
For my purposes a conditioning coat is just my final finish thinned 50/50 with mineral spirits. I have worked on mostly gun stocks for the past 8 years and found some products I really like. Behr’s Scandinavian Tung Oil Finish (TOF) is one of them. It is an easy to work with, flat drying oil with some driers in it. No varnish in it to my knowledge and I have asked around. I have always stayed away from Birch-Casey Tru-Oil on rifle stocks. Not just because of the “metal� spelling but on the advice of cabinet makers and gunsmiths I respect. I did break down and try it on the Bronco neck on this project. I’m happy to say that while I think it will protect the neck nicely I don’t think it is an actual oil finish. Working with it felt like working with polyurethane. It may have “polymerizing oils� in it. I’ll bet that’s code for polyurethane. It just did not have the work time that oil does, Tung or Boiled Linseed (BLO ).
Anyway back to the bass.
In goes the 50/50 conditioning.
.
.
Let it dry for a couple of days and in goes the dye ( Trans-tint vintage amber thinned in denatured alcohol)
.
.
.
.
.
It does look a little splotchy but I think after I build and oil finish it will mellow out a lot.
It will never pass for butterscotch but I think I am going to like this look.
.
JR
The Bakelite pickguard is getting lacquer and needs to be sanded first to give the edges a little “melt�. I’m not sure if I will wet sand it after lacquering or not.
New
Sanded
After the first three coats
Time lapse for application of Behr’s Scandinavian Tung Oil Finish (TOF).
Applied with poly dauber. Let soak for 25 or so mins. Wipe off with soft cloth. Let cure for at least 24 hours. Repeat as necessary to build finish to taste. In this case 7 or 8 times. Top it off with Johnsons paste wax.
Time to get the bridge on to mount the Fralin split 51 so the ground wire and control cavity shielding happen now. I have never done this before but thanks to lots of good threads I think I get the basics.
For what I hope is a foolproof ground I am going to tie in to the right front bridge mounting screw like this.
Between the thread engagement and the copper foil this should be bombproof.
It is really looking like something now. I just have to get the pickup installed and wire it up.
JR
New
Sanded
After the first three coats
Time lapse for application of Behr’s Scandinavian Tung Oil Finish (TOF).
Applied with poly dauber. Let soak for 25 or so mins. Wipe off with soft cloth. Let cure for at least 24 hours. Repeat as necessary to build finish to taste. In this case 7 or 8 times. Top it off with Johnsons paste wax.
Time to get the bridge on to mount the Fralin split 51 so the ground wire and control cavity shielding happen now. I have never done this before but thanks to lots of good threads I think I get the basics.
For what I hope is a foolproof ground I am going to tie in to the right front bridge mounting screw like this.
Between the thread engagement and the copper foil this should be bombproof.
It is really looking like something now. I just have to get the pickup installed and wire it up.
JR
- damienblair17
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