ShortScale.org

I simply move the performance to a raquetball court for reverberated pieces.

JUST KIDDING
I will recommend the Dr. Scientist Reverberator, and the EHX Cathedral.

Reverberator: Tiny, affordable, lots of sounds, lots of volume, too. Bonus: Vibrato.
Cathedral: Huge, amazing number and complexity of sounds, also has delays, also has freakout shit. also expensive.

i want a cathedral so bad, it has everything i need. plus, that infinite reverb function which i've still never heard, but i imagine it sounds awesome and also exactly what i want

timhulio wrote:Is Verve a band people want to sound like now? How can I get that Bluetones jangle? What about the Shed 7... er... okay there's nothing.

Pre- "The -" Verve I can accept, in a kind of psychedelic northerners way.

Not actually listen to, mind, but accept.

benecol wrote:

timhulio wrote:Is Verve a band people want to sound like now? How can I get that Bluetones jangle? What about the Shed 7... er... okay there's nothing.

Pre- "The -" Verve I can accept, in a kind of psychedelic northerners way.

Not actually listen to, mind, but accept.

Yeah, the best thing I can say about Urban Hymns is that it alerted me to their existence in the first place. A Northern Soul has its moments, but tellingly those moments are the ones where Richard Ashcroft isn't singing. Before then, his ego didn't intrude on everything else and MacCabe was able to do his thing. They probably would've been lumped in with shoegaze instead of britpop if 1. shoegaze hadn't fallen out of favour and britpop hadn't risen when they did, and 2. the aforementioned transformation in the A Northern Soul era changed the band's sound drastically. The three early singles and A Storm in Heaven are sooo different from the songs that made them popular.

I used them as a way of describing a guitar sound rather than the over all sound of the band.

It just hit me how incredible the epitome really is. I knew it could do certain things but i haven't put it into perspective until earlier when i was talking about it in this thread. So it's a micro pog, stereo electric mistress, and holy grail plus in one enclosure but...You can have the reverb tails controllable from the other pedals..So i can use the high octaves from the pog trail the regular guitar signal..like violins real low behind the guitar..or only the reverb could be all phased out like a helicopter..thats incredible to me. mind blown. I'm glad i bought it. I should research more beforehand. It also has an eternal reverb. I use it with the sitar pedal often. I can get excellent drones for studio stuff. I'd have to be able to turn it live or it will just continue...eternally.. I can play over it but then those keep going and its cool for a minute but then it's all crazy with all these notes never ending.

To digress slightly from low budget dogging, I mentioned to a mate that the behringer was a copy of the verbzilla he suggested getting a line 6 m5 as it does the job of the verbzilla + it gives you a tonne of other effects. If these were any good it'd clear some space on my pedal board as it could replace a flanger, phaser, and a tremolo that I use occasionally... And give me the reverb I was after. Anyone have one?

I know Doog had the m9...

I had an M13 and it was brilliant - top suggestion by your mate.

M5, all day long.

I'd personally plump for the M9; the addition of the looper and being able to bolt together some of these dreamy-shoegazey sounds makes it into a proper rabbit hole of fun. The fact you can sync time-based effects with the tap-tempo AND control absolutely any parameter you want with an expression pedal makes this pedal worth its weight in gold.

Cool, can't stretch to an m9 but £80ish for the m5 is in the right price range.

Well that's that ordered the m5 next day delivery should be here tomorrow...

I shall be a lone voice of dissent.

The RV600 is shit.

Buy a Digitech Hardwire reverb.

M5 is alright.

On an alternative thought, a BBQ pork sandwich for lunch is a very fine thing indeed.

Have fun with the M5!


Probably the best longterm choice, but as stated earlier a MIDIVERB 2 or 4 can also be a really cheap way to get teh cavernz the old fashioned digital way. I myself paid $60 for a Yamaha FX500 just to get the "Soft Focus" patch (listen to the very end of "She's Leaving Home" on this year's Beatles Comp), but a 'Verb4 is what I have my sights on to get that big sound without the shimmer octaves.

Although the RV-7's Lexicon patches are extremely subtle in contrast to a lot of other 'verbers out there, I can get really close to A Storm in Heaven McCabe toanz with the Pedalworx McSqueeze and a fast, shallow vibe into the RV-7 with Modulation set to max (quieter parts of Already There), and with modulated Delay a la my Moollon I'm not far from "The Sun,The Sea" either.

The afore mentioned tomorrow was yesterday... Had a brief shot of it last night pretty cool didn't realise it had all the effects from podfarm (my software weapon of choice) which is very cool as I can just copy a lot of my settings for different songs over... Got a crackin version of Neil Young's 'hey hey my my' evil guitar going using the bass synth filter and the big muff... That was when my 'shot' ended with complaints from my wife (as the law clearly states you can't play that sing quietly)... Oh and the reverbs are just what I was after.

Yaaaaay

dezb1 wrote:Got a crackin version of Neil Young's 'hey hey my my' evil guitar going using the bass synth filter and the big muff

I just love the saggy blown out speaker sound of that on Weld. My ideal guitar tone.

One of my personal favorites...

Paging line 6 owners, can you edit the these things with a midi editor ala the pod?

Nnnnnnnnnope.