Posted: Thu Apr 28, 2011 1:02 am
I'd really love to see a proper demo, and by proper I mean one by PGS.
Of the mustang, screw the 51 and 72
Of the mustang, screw the 51 and 72
I actually like the 72. The F hole and WRHB make it appealing to me. I saw a mint Squier 51 at the Guitar show last weekend for $150 and it's really hard for anyone to pay $800 for the Fender 51 when the Squier version is so cheap. I almost picked it up but I wasn't interested.Lucamo wrote:I'd really love to see a proper demo, and by proper I mean one by PGS.
Of the mustang, screw the 51 and 72
Yeah, fuck that noise. Build one!taylornutt wrote:I actually like the 72. The F hole and WRHB make it appealing to me. I saw a mint Squier 51 at the Guitar show last weekend for $150 and it's really hard for anyone to pay $800 for the Fender 51 when the Squier version is so cheap. I almost picked it up but I wasn't interested.Lucamo wrote:I'd really love to see a proper demo, and by proper I mean one by PGS.
Of the mustang, screw the 51 and 72
Wow, massive ass strings like 11s! Madness! I don't know how that would work without snapping the neck and/or their fingers.I would whack 11s on it and drop it down to drop C
Errrgh hate Rob Chappers 'monkeylord' demos.taylornutt wrote:I am actually watching this right now. Video demos of 72 and the Mustang Special. Both sound great. No love for the Fender '51 I guess.
[youtube][/youtube]
[youtube][/youtube]
You have odd ideas of stable. I just looked on the D'Addario website. A 12 gauge set with plain G has average tension of 24.68 lb, downtuned to C that would be 15.5 lb. That's more tension than 10s get on a Mustang in standard E, and most people find that plenty comfortable. And if he means drop tuning to C, that's more than suitable tension.AddamInsane wrote:Wow, massive ass strings like 11s! Madness! I don't know how that would work without snapping the neck and/or their fingers.
Seriously, I put 12s on a strat tuned to C. It's too slack to be really stable and doesn't quite intonate.
*EDIT* Just noticed the almost finished JD bottle atop the Blackstar, that explains an awful lot...
My point exactly...it ain't no stang. But then again, I guess it is if Fender wants to name it so. Similar, and very opinionated discussions came out when the classic player series hit stores a few years back about them not actually being "Jazzmasters" and "Jaguars"Mages wrote:why did they change the decal? the body, trem and pickups are all a great deal different from a mustang. actually, I don't think they should have called it a mustang at all. if anything it's more like a wack, hacked up, duo-sonic. the only thing similar to the mustang at this point is the scale, which means nothing really, as the scale is shared with five fender guitar models.
i think what they were thinking was to make a guitar that could've been an old 'stang that has been modded/customized in the 70s or 80s. we see those hackjobs all the time. and they were usually to be found in pawn shops (before ebay).Mages wrote:why did they change the decal? the body, trem and pickups are all a great deal different from a mustang. actually, I don't think they should have called it a mustang at all. if anything it's more like a wack, hacked up, duo-sonic. the only thing similar to the mustang at this point is the scale, which means nothing really, as the scale is shared with five fender guitar models.
That and seems like everyone and their uncle decided to strip all the original finishes down to bare wood. WHY?!James wrote:I think the body quite suits the style, and as witnessed here many times, hacking the body isn't that uncommon on modified mustangs.
Maybe I was being a little facetious, but that's just my opinion, gained from my experience.honeyiscool wrote:You have odd ideas of stable. I just looked on the D'Addario website. A 12 gauge set with plain G has average tension of 24.68 lb, downtuned to C that would be 15.5 lb. That's more tension than 10s get on a Mustang in standard E, and most people find that plenty comfortable. And if he means drop tuning to C, that's more than suitable tension.AddamInsane wrote:Wow, massive ass strings like 11s! Madness! I don't know how that would work without snapping the neck and/or their fingers.
Seriously, I put 12s on a strat tuned to C. It's too slack to be really stable and doesn't quite intonate.
*EDIT* Just noticed the almost finished JD bottle atop the Blackstar, that explains an awful lot...