Jimi <3 Gibson?
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- Fran
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Definitely, by the by they should be improving(?) old models but from a new design perspective they have been quite stagnant since the JS, Toronado and Cyclone. Imo they should offer a Semi at the very least, i cant see how they would lose on it.Mike wrote:I think Fender are doing some good stuff. The CP Jaguars and Jazzmasters are fantastic and a smart move.
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They should bring back the M-80. It's quickly become my favorite guitar in my arsenal. The neck is godly. They just need to put a normal fenderish headstock on it so the fanboys don't complain and shun it like they did with the original release.Fran wrote:Definitely, by the by they should be improving(?) old models but from a new design perspective they have been quite stagnant since the JS, Toronado and Cyclone. Imo they should offer a Semi at the very least, i cant see how they would lose on it.Mike wrote:I think Fender are doing some good stuff. The CP Jaguars and Jazzmasters are fantastic and a smart move.
dots wrote:society is crumbling because of asshoels like ends
brainfur wrote:I'm having difficulty reconciling my desire to smash the state & kill all white people with my desire for a new telecaster
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Either the Starcaster or Coronado would sell massively as a reissue.Fran wrote:Definitely, by the by they should be improving(?) old models but from a new design perspective they have been quite stagnant since the JS, Toronado and Cyclone. Imo they should offer a Semi at the very least, i cant see how they would lose on it.Mike wrote:I think Fender are doing some good stuff. The CP Jaguars and Jazzmasters are fantastic and a smart move.
this, plus the bass vi as a decently priced reissue.Mike wrote:Either the Starcaster or Coronado would sell massively as a reissue.Fran wrote:Definitely, by the by they should be improving(?) old models but from a new design perspective they have been quite stagnant since the JS, Toronado and Cyclone. Imo they should offer a Semi at the very least, i cant see how they would lose on it.Mike wrote:I think Fender are doing some good stuff. The CP Jaguars and Jazzmasters are fantastic and a smart move.
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I'm not sure if you're being sarcastic, but wouldn't they be a telecaster and musicmaster respectively?BacchusPaul wrote:Yeah, they should make a two pickup version of the Esquire, and then maybe a one pickup version of the Mustang with a different bridge.
Those'd be awesome.
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I think in the grand scheme of things, those guitars didn't sell that well. so like you said, they've kind of strayed away from new designs since then. they're sticking to what sells.Fran wrote:from a new design perspective they have been quite stagnant since the JS, Toronado and Cyclone.
stratocasters.
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- Fran
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Hmm, i think it was clear from the offset them 3 designs were for a niche market (kurdtz army & the like minded) and were never intended to challenge the big two. Maybe im blinkered to anything but the world i live in but them models sold quite well, especially considering no-one famous endorsed two of them.mage wrote:I think in the grand scheme of things, those guitars didn't sell that well. so like you said, they've kind of strayed away from new designs since then. they're sticking to what sells.Fran wrote:from a new design perspective they have been quite stagnant since the JS, Toronado and Cyclone.
stratocasters.
The Jagmaster is possibly one of the reasons they were discontinued, its price tag makes it more accessible to that end/age group of the market whilst all the serious players were purchasing HH Jags, Mustang RI's or modifying standard Jags.
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agreed. I'd love to see a Starcaster reissue, although the new WRHBs are nowhere near the old ones in design or sound quality.Mike wrote:Either the Starcaster or Coronado would sell massively as a reissue.Fran wrote:Definitely, by the by they should be improving(?) old models but from a new design perspective they have been quite stagnant since the JS, Toronado and Cyclone. Imo they should offer a Semi at the very least, i cant see how they would lose on it.Mike wrote:I think Fender are doing some good stuff. The CP Jaguars and Jazzmasters are fantastic and a smart move.
The Coronados were neat, they had deArmonds in them, did they not?
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yup. apparently the chrome topped ones are better than the black centred jobs, but i haven't played one with the black pickups. i've heard people say they're weak and anaemic sounding, mine certainly aren't so i can only assume they're referring to the black type. or maybe they want it to sound like a 335 or something even though they're clearly single coils.Skiptracer1981 wrote:The Coronados were neat, they had deArmonds in them, did they not?
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That Squier Series 24 line was pretty cool, and loosely along those lines.Fran wrote:I'd sure like to see Fender make some Chuck Berry 335....
Ends, you own an M-80?!?!?!?!? Bolt-on or set neck. I love those. I almost bought three bolt-ons when Media Play (sort of version of FYE) went under. They had five left for $120 each, and I was hoping that the clearance prices would have gone down a little more, as I had $300 on hand. I finally decided that that was a good enough price and went in and all five were gone. Coincidentally, GC had five new M-80s in stock for $175 a few days later. I also really REALLY like those Elites from that series.
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I have the set neck, with the duncan pups. IT's a great player. Probably my favorite guitar I own. Worth every penny of $400 and I got it for 140 shipped.mezzio13 wrote:That Squier Series 24 line was pretty cool, and loosely along those lines.Fran wrote:I'd sure like to see Fender make some Chuck Berry 335....
Ends, you own an M-80?!?!?!?!? Bolt-on or set neck. I love those. I almost bought three bolt-ons when Media Play (sort of version of FYE) went under. They had five left for $120 each, and I was hoping that the clearance prices would have gone down a little more, as I had $300 on hand. I finally decided that that was a good enough price and went in and all five were gone. Coincidentally, GC had five new M-80s in stock for $175 a few days later. I also really REALLY like those Elites from that series.
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dots wrote:society is crumbling because of asshoels like ends
brainfur wrote:I'm having difficulty reconciling my desire to smash the state & kill all white people with my desire for a new telecaster
The reaction to this is bewildering.
Why do you all keep saying that this release has somehow heralded a less-than-illustrious age for Gibson? This sort of shit has been going on for years now. Their pricing strategy vs. quality looks utterly bizarre when viewed against PRS guitars, unless they're actively attempting to move themselves completely into the nostalgia market and are no longer interested in releasing guitars for guitarists. Need I remind anybody of the pathetic Gibson digital guitar? Something like six years in the making, beaten by two by the Line 6 Variax and had absolutely no redeeming qualities at all upon release.
I said this years ago. Gibson are disappearing rapidly into their own backside. Fender are hardly any better, but at least they manage to offset their tragic decisions with the occasional decent one. The only thing Gibson has released at all with any level of credibility is the "faded" series of guitars. That's it. For fucks sake, they nearly buried Trace Elliott forever because they couldn't be fucking arsed actually doing anything with the name.
Fuck Gibson. And not even for this travesty of a guitar. Fuck them for representing everything that is wrong with guitar design and marketing.
Why do you all keep saying that this release has somehow heralded a less-than-illustrious age for Gibson? This sort of shit has been going on for years now. Their pricing strategy vs. quality looks utterly bizarre when viewed against PRS guitars, unless they're actively attempting to move themselves completely into the nostalgia market and are no longer interested in releasing guitars for guitarists. Need I remind anybody of the pathetic Gibson digital guitar? Something like six years in the making, beaten by two by the Line 6 Variax and had absolutely no redeeming qualities at all upon release.
I said this years ago. Gibson are disappearing rapidly into their own backside. Fender are hardly any better, but at least they manage to offset their tragic decisions with the occasional decent one. The only thing Gibson has released at all with any level of credibility is the "faded" series of guitars. That's it. For fucks sake, they nearly buried Trace Elliott forever because they couldn't be fucking arsed actually doing anything with the name.
Fuck Gibson. And not even for this travesty of a guitar. Fuck them for representing everything that is wrong with guitar design and marketing.
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Brandon W wrote:you elites.
Oh man we aren't gonna get along at all.ekwatts wrote:Fuck Gibson. And not even for this travesty of a guitar. Fuck them for representing everything that is wrong with guitar design and marketing.
Jimi played Strats like because they were cheap. In studio he recorded on Stratocasters, Telecasters, Gibson SGs and a Gibson Flying V
Like I said, in 1960s strats were cheap, (especially compared to Gibsons!). As soon as he'd get one, the nut would get switched out and that was about it. When Jimi started smashing Strats live, he was demanding $100,000 per gig so he could more than afford to smash Strats... however, he didn't smash his Gibsons.
http://www.dolphinmusic.co.uk/product/2 ... ing-v.html
This isn't the first time Gibson have made a strat...
in the 1980s everybody was making superstrats, even Gibson http://www.delta9studios.com/images/gear/GibsonWRC.jpg
One of my first guitars was an Epiphone Strat just like this one [youtube][/youtube]
Jimi's family gave their name over to this latest copy for the dollar dollar bills yall... but in fairness Fender has taken some Gibson ideas as well... the humbucker would be one and the please tell me the Coronado isn't a 335 copy
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![Image](http://www.muzicosphere.com/wp-content/uploads/2009/09/jimi-hendrix-flying-v.jpg)
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[youtube][/youtube]
Last edited by bent on Thu Oct 01, 2009 1:23 pm, edited 2 times in total.