Posted: Tue Aug 23, 2011 3:03 am
i think it's just you. really.Narco Martenot wrote:Look at the frets -- they look nearly flat.
lulzShaguar wrote:...and it had a STRAT JACK.
i think it's just you. really.Narco Martenot wrote:Look at the frets -- they look nearly flat.
lulzShaguar wrote:...and it had a STRAT JACK.
-Yes, it would be sloppy work to custom build a guitar with missmatching fretboard/bridge radii.Narco Martenot wrote:Thanks for the photo. I really love this guitar. Some small things I noticed:
-Is it just me, or does that guitar appear to have a Gibson fretboard radius?
-The fretboard overhang -- I don't think I've seen a shortscale Fender with this?
-Look at the sloppy position of the screws around the pickguard -- some of them seem to be almost hanging over the bevelled edges, one of them actually is
How much do you think Kurt was charged for that guitar? Where is this guitar now?
I've seen the Cross project before -- a really cool guitar with a much nicer looking pickguard than the original.
Not at all, they do look very flat, almost like a its a computer render and not a real guitar.astrozombie wrote:i think it's just you. really.Narco Martenot wrote:Look at the frets -- they look nearly flat.
No no no no, it doesn't make any sense. If Kurt liked Mustang necks, he must have noticed the radius... the back of the neck is only half of how it feels...James wrote:Not at all, they do look very flat, almost like a its a computer render and not a real guitar.astrozombie wrote:i think it's just you. really.Narco Martenot wrote:Look at the frets -- they look nearly flat.
But we're not talking about the radius (which itself looks quite flat) we're talking about the frets.astrozombie wrote:No no no no, it doesn't make any sense. If Kurt liked Mustang necks, he must have noticed the radius... the back of the neck is only half of how it feels...James wrote:Not at all, they do look very flat, almost like a its a computer render and not a real guitar.astrozombie wrote: i think it's just you. really.
One of the reasons super strats and shred machines have no timbre in my opinion.Nick wrote:How is that fucked up? Having the neck pickup where the 24th fret would be is usually considered a good thing because of its harmonic properties
I wasn't shitting on the guitar is that's what you thought. I was pointing out things that I had never noticed before, and things that I have never seen mentioned in the description of the guitar. The screwholes are unacceptable to me, though.AddamInsane wrote:-Yes, it would be sloppy work to custom build a guitar with missmatching fretboard/bridge radii.Narco Martenot wrote:Thanks for the photo. I really love this guitar. Some small things I noticed:
-Is it just me, or does that guitar appear to have a Gibson fretboard radius?
-The fretboard overhang -- I don't think I've seen a shortscale Fender with this?
-Look at the sloppy position of the screws around the pickguard -- some of them seem to be almost hanging over the bevelled edges, one of them actually is
How much do you think Kurt was charged for that guitar? Where is this guitar now?
I've seen the Cross project before -- a really cool guitar with a much nicer looking pickguard than the original.
-Yes, the fret board overhangs, but it isn't a Fender is it. Also has a maple truss rod cover. That's probably just how Ferrington makes his necks. But if you want a Fender guitar, buy a Fender guitar.
-The screws are pretty close, is that a bad thing? I'll bow to your superior observational skills. The screw near the tone knob is too close to the edge. In fact it's kinda peering over the edge.
I doubt that it was a cheap guitar, I'd bet it cost between $1000-$2000.
And I read that Kurt and Courtney, between them were spending $1200 per day on drugs, a couple of grand for a guitar wouldn't a big deal.
And maybe tax-deductable?
It is further away from the neck than it should be, isn't it? I assume this is more "correct", but considering it's a replica everything should be exact.finboy wrote:aaaand it still looks like the fucked up the neck pick up placement
The neck pickup on Kurt's actual one was positioned a tad closer to the end of the neck.Nick wrote:How is that fucked up? Having the neck pickup where the 24th fret would be is usually considered a good thing because of its harmonic properties
You're absolutely right, it makes sense now, He used Japanese strats because he liked the small frets..James wrote:
Looking at that part of the picture the radius looks similar to a Gibson (to match the bridge) and the frets look very low. Maybe he didn't really care about the vintage Fender radius.