Who plays with a wound "G" string?
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- Armchair Bronco
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Who plays with a wound "G" string?
On Monday, I took in my CP Jag Special HH for its inagural setup. I asked my tech to put on some 11's with a wound "G" string. I've always wanted to try this but never got around to it.
The strings I picked (some Dean Markley 11-52's) include both wound and unwound "G" strings, so if I don't like it, I can switch to a conventional "G" string.
But I'm a chunky rhythm player, so I think I'm gonna like it.
The strings I picked (some Dean Markley 11-52's) include both wound and unwound "G" strings, so if I don't like it, I can switch to a conventional "G" string.
But I'm a chunky rhythm player, so I think I'm gonna like it.
I only use wound Gs.
- stay in tune better
- better intonation (especially in first position)
- break fewer strings
- less string flex = sounding more in tune when played aggressively
- more consistent tone from string to string
- less fret wear
I COULD GO ON. Next you can try Flatwounds (D'Addario Chromes
) - I'll never play anything else.
- stay in tune better
- better intonation (especially in first position)
- break fewer strings
- less string flex = sounding more in tune when played aggressively
- more consistent tone from string to string
- less fret wear
I COULD GO ON. Next you can try Flatwounds (D'Addario Chromes

- light rail coyote
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- Armchair Bronco
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- Joined: Fri Jun 13, 2008 5:26 am
- Location: Seattle, WA
Slippy-slide wise is why I go for the flatwounds - I hate finger noise more then Mike hates most things.BacchusPaul wrote:I play with elevens on more less everything. It's not a matter or finger strength (my hands are in good shape, I've been playing the piano since I was five, like), it's a matter of the slippy feekl of the string for me.
I like my strings to have a little fight in them cause it makes bends sound epic.
G Strings yeah...
I moved from 11-52 (wound G)... extremely warm sounding strings... almost to the extent they're dead on a Jag... I was really surprised at the difference when I moved to slinky 10s, seems to show more of the jags true character IMO... brighter and more chimey.. with the humbucker I'm sure it'll be different again.
I do continue to use the Dean Markleys on my jazzmaster though, that seems like a nice mix with the longer neck etc...
I think I prefer unwound generally though...
I moved from 11-52 (wound G)... extremely warm sounding strings... almost to the extent they're dead on a Jag... I was really surprised at the difference when I moved to slinky 10s, seems to show more of the jags true character IMO... brighter and more chimey.. with the humbucker I'm sure it'll be different again.
I do continue to use the Dean Markleys on my jazzmaster though, that seems like a nice mix with the longer neck etc...
I think I prefer unwound generally though...
on guitars with preset or uncompensated saddles, a wound g is usually preferable, particularly if the guitar is vintage. i run a wound g in an 11 set on my melody maker and it is pretty much perfectly intonated. used to be that the g string would go progessively sharper on fretted notes up the neck.
i dont bend really, so that part doesnt bother me. i do miss the feel of my familiar 10's sometimes.
i dont bend really, so that part doesnt bother me. i do miss the feel of my familiar 10's sometimes.
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