mcconnachiea wrote:
It still isn't finished after nearly two years
I get the impression that Cross is completely worthless for building guitars. It's taken him about 6 years to do 2 shortscales, the first of which came out badly according to the owner and his local tech.
Aug wrote:which one of you bastards sent me an ebay question asking if you can get teh kurdtz with that 64 mustang?
robertOG wrote:fran & paul are some of the original gangstas of the JS days when you'd have to say "phuck"
timhulio wrote:I used to have this one in black, but found the bound edges uncomfortable to play and it weighed a ton.
I think I remember yours Tim - did it have a bigsby on it?
Yep, one of the prettiest guitars I've ever owned, but for those two reasons I just couldn't get on with it. Tried to play it live a fair bit too. Everytime I look at it I regret selling it, then remember what a pain it was. Not to worry, my thinline will be just as sexy when I comes back from being painted.
timhulio wrote:I used to have this one in black, but found the bound edges uncomfortable to play and it weighed a ton.
I think I remember yours Tim - did it have a bigsby on it?
Yep, one of the prettiest guitars I've ever owned, but for those two reasons I just couldn't get on with it. Tried to play it live a fair bit too. Everytime I look at it I regret selling it, then remember what a pain it was. Not to worry, my thinline will be just as sexy when I comes back from being painted.
if you ever want something like that again since it has binding you could chamber the whole guitar and put a top on it (maple most likely) nobody would know since it will be painted a solid color and have binding. You could also nix the double binding and have it on the top only, which is a smart idea that Fender did on these custom esquires they released at a recent NAMM show.