I'm leaning towards the delay, but the trem could be neat...
I'm not using the rhythm circuit in my upcoming jazzmaster project and was going to use one of these in it's place.
Posted: Thu Sep 10, 2009 9:20 pm
by Noirie.
I would have the trem in there. Not sure how the delay would work out. . .
Posted: Thu Sep 10, 2009 9:44 pm
by Doog
Delay at your fingertips would be cool for the whole time-tweaking thing.
Posted: Thu Sep 10, 2009 9:45 pm
by endsjustifymeans
Doog wrote:Delay at your fingertips would be cool for the whole time-tweaking thing.
my thought exactly.
Posted: Thu Sep 10, 2009 9:56 pm
by Reece
do an delay.
hopefully it self oscillates.
Re: question on onboard effects
Posted: Thu Sep 10, 2009 10:00 pm
by Noirie.
Guitarfetish wrote:
The real benefit of the DL-1 besides the great vintage tone is the immediacy of the control. Match the delay to your drummer, dial in just the right amount of repeat to cut through the band, or use the "Time" knob to create cool special effects- from wacky Star Trek noises to cool Hip-Hop scratches.
That does sound pretty rad.
Posted: Thu Sep 10, 2009 10:21 pm
by brandon.
I have the trem and it's really fun, but the delay sounds really interesting too
Posted: Thu Sep 10, 2009 10:24 pm
by endsjustifymeans
brandon. wrote:I have the trem and it's really fun, but the delay sounds really interesting too
Does it sound cheap digital or it a nice warm effect?
Posted: Fri Sep 11, 2009 7:23 am
by timhulio
Delay is usually the last effect in a chain?
Posted: Fri Sep 11, 2009 11:24 am
by Doog
It works kinda cool before your gain source too, making the repeats less distorted ala East Bay Ray and his Echoplex:
[youtube][/youtube]
Posted: Fri Sep 11, 2009 1:02 pm
by brandon.
endsjustifymeans wrote:
brandon. wrote:I have the trem and it's really fun, but the delay sounds really interesting too
Does it sound cheap digital or it a nice warm effect?
It sounds nice to me, I didn't really notice anything cheap about the sound. Definitely not harsh.
I don't really use pedals too often so I'm probably not much help.
Posted: Fri Sep 11, 2009 1:21 pm
by benecol
Doog wrote:East Bay Ray
Doog's East Bay Ray is fast becoming like my Matamp, or Stewart's Distortion Pro.
Posted: Fri Sep 11, 2009 1:25 pm
by stewart
benecol wrote:Matamp
tell me more.
etc
Posted: Fri Sep 11, 2009 1:32 pm
by benecol
It's the linchpin of my three amp setup - Matamp, Orange Crush (hilariously, rated louder than the Matamp, science fans) and Pignose. And I get in and out of venues just fine.
Posted: Fri Sep 11, 2009 1:37 pm
by Doog
benecol wrote:
Doog wrote:East Bay Ray
Doog's East Bay Ray is fast becoming like my Matamp, or Stewart's Distortion Pro.
Show your working.
Posted: Fri Sep 11, 2009 1:41 pm
by stewart
benecol wrote:It's the linchpin of my three amp setup - Matamp, Orange Crush (hilariously, rated louder than the Matamp, science fans) and Pignose. And I get in and out of venues just fine.
crikey, all that lot must put some stress on your Tesco carrier bag.
Posted: Fri Sep 11, 2009 2:23 pm
by benecol
Doog wrote:
benecol wrote:
Doog wrote:East Bay Ray
Doog's East Bay Ray is fast becoming like my Matamp, or Stewart's Distortion Pro.
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