Is this an SG standard or an SG special?
Posted: Sat Sep 26, 2009 2:13 am
[youtube][/youtube]
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Posted: Sat Sep 26, 2009 2:15 am
defintly special, i can hear it in the coupletones
Posted: Sat Sep 26, 2009 2:16 am
Everyone knows that he used a Jagmaster in the studio.
Posted: Sat Sep 26, 2009 2:18 am
goth sg
Posted: Sat Sep 26, 2009 2:18 am
but his real tone came from a squire sidekick 15, those amps ROCK!
Posted: Sat Sep 26, 2009 2:21 am
Fuck. Youse guys, thankds.
I thought it was a Squier 51.
I thought it was a Squier 51.
Posted: Sat Sep 26, 2009 2:22 am
anytime noob. gosh i remember my first post like it was yesterday.
Posted: Sat Sep 26, 2009 2:25 am
[youtube][/youtube]
Posted: Sat Sep 26, 2009 3:29 am
it's doubled whatever it is.
Posted: Sat Sep 26, 2009 3:32 am
It's easier to assume that's the case with all Black Sabbath songs anyway.mage wrote:it's doubled whatever it is.
Posted: Sat Sep 26, 2009 3:54 am
makes it a little more difficult discern whatever tone it might be though.
another thing I realized recently about trying to discern guitar tones from recordings. most recordings before around the mid 90s were recorded on tape. I just finished a class on analog tape machines, we were recording this band playing shine on you crazy diamond to a Sony APR 24, 2" 24 track. the tape machine bumps all the low frequencies around 100Hz. in monitoring the guitar during recording and then played back from the tape, there's a big difference. the low frequencies get bumped up but this also can cause a little tape saturation creating a little more grittyness in that range of frequencies.
just another thing that can make it pretty hard to match the tone you hear on the recording in real life.
another thing I realized recently about trying to discern guitar tones from recordings. most recordings before around the mid 90s were recorded on tape. I just finished a class on analog tape machines, we were recording this band playing shine on you crazy diamond to a Sony APR 24, 2" 24 track. the tape machine bumps all the low frequencies around 100Hz. in monitoring the guitar during recording and then played back from the tape, there's a big difference. the low frequencies get bumped up but this also can cause a little tape saturation creating a little more grittyness in that range of frequencies.
just another thing that can make it pretty hard to match the tone you hear on the recording in real life.