Good picks..
Posted: Mon Nov 23, 2009 9:10 pm
Been using Grover Allman and Dunlop Nylons for ages, enlighten me to something new please Shortscale!
Stiff, snappy, and last for ages.
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Posted: Mon Nov 23, 2009 9:15 pm
Stiff, snappy, and last for ages.
Posted: Mon Nov 23, 2009 9:16 pm
Shortscale purples of course...
Previously though, Dunlop Gels - Heavy for electric, Medium-Light for Acoustic.
Previously though, Dunlop Gels - Heavy for electric, Medium-Light for Acoustic.
Posted: Mon Nov 23, 2009 9:18 pm
^ Stole my response.
Posted: Mon Nov 23, 2009 9:21 pm
As used exclusively by myself and Dots of this parish:
Posted: Mon Nov 23, 2009 11:08 pm
+1Thom wrote:Shortscale purples of course...
Previously though, Dunlop Gels - Heavy for electric, Medium-Light for Acoustic.
used my ss ones for the first time saturday. i love the control you get with a heavy pick.
Posted: Mon Nov 23, 2009 11:20 pm
where can i order these?Thom wrote:Shortscale purples of course...
Previously though, Dunlop Gels - Heavy for electric, Medium-Light for Acoustic.
Posted: Mon Nov 23, 2009 11:22 pm
You must first order one of these.
Posted: Tue Nov 24, 2009 12:02 am
These are the best... EVER
Posted: Tue Nov 24, 2009 12:09 am
The only picks ill ever use.
Posted: Tue Nov 24, 2009 12:31 am
^
AGREED!
AGREED!
Posted: Tue Nov 24, 2009 2:22 am
my new favorite. they have a pleasant, plasticky taste unlike fender extra heavies which taste like dirt.
Posted: Tue Nov 24, 2009 3:45 am
SHORTSCALE DOT ORG BLUES AND GREENS
Posted: Tue Nov 24, 2009 4:49 am
^ EPIC!
Posted: Tue Nov 24, 2009 5:48 am
still use nylons (.38) for my acoustic and nothing else feels as good. i might use a .46 on my electrics but i always have a .38 with me. doesn't really help you though.
Posted: Tue Nov 24, 2009 6:08 am
Reece wrote:SHORTSCALE DOT ORG BLUES AND GREENS
nice!
Posted: Tue Nov 24, 2009 7:42 am
Claypools. I mean Carlsbergs. I mean these.
Get a few vastly different thicknesses of a couple diff materials like acetal vs delrin. It's like having new tone controls.
Some of those thick-yet-pointy jazz picks are interesting too.
Old standbys = Dim Junlop nylon .60's and teardrop Tortex .73's.
Get a few vastly different thicknesses of a couple diff materials like acetal vs delrin. It's like having new tone controls.
Some of those thick-yet-pointy jazz picks are interesting too.
Old standbys = Dim Junlop nylon .60's and teardrop Tortex .73's.
Posted: Tue Nov 24, 2009 9:05 am
filtercap wrote:Claypools. I mean Carlsbergs. I mean these.
Get a few vastly different thicknesses of a couple diff materials like acetal vs delrin. It's like having new tone controls.
Some of those thick-yet-pointy jazz picks are interesting too.
Old standbys = Dim Junlop nylon .60's and teardrop Tortex .73's.
i usually keep a mix of those with some tortex. love em both.
Posted: Tue Nov 24, 2009 1:38 pm
I've started to use Jazz III's, both Ultex and regular red. I recommend them because in my experience the small size has helped me be more precise and accomodate my girly little hands. The Ultex's stick like glue as well. All regular size plectrums feel too big now.
I used to use Tortex but find they wear away far too quickly which is a shame because I love them.
I used to use Tortex but find they wear away far too quickly which is a shame because I love them.
Posted: Tue Nov 24, 2009 2:45 pm
i switched to ultex for a while for that same reason, but the gauge i used would split or occasionally shatter due to my heavy handedness and the next one up was a teeny bit thick for my liking. they're quite expensive too. so i'll stick with my big packet of tortex jobs til they run out...GeorgeF wrote:I used to use Tortex but find they wear away far too quickly which is a shame because I love them.