New SXs have old headstock!
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- SKC Willie
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New SXs have old headstock!
I was searching through Rondo's stuff thinking, "Man, I would really think about trying one of these out if they didn't have that terrible head stock."
Then, I see these: Link Link
Not sure if they're just old stock that they are just now advertising but I think that maybe they're finally realizing that they'll sell way better if they don't have a stupid headstock.
Then, I see these: Link Link
Not sure if they're just old stock that they are just now advertising but I think that maybe they're finally realizing that they'll sell way better if they don't have a stupid headstock.
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- hotrodperlmutter
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- SKC Willie
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I'd actually make good use of a proper baritone, though the Jazzmaster strung up heavy suffices along with the Les Paul 7 stringer in the quiver, and I occasionally make use of my friend's Jerry Jones Baritone.Dingus wrote:Do you guys play a ton of baritone stuff though? I have a baritone and I feel like I barely use it for anything, nice to have though!
In the pop world, a bari can really make a good "secret sauce" for tunes that need a lower end oomph blast. Double tracking a la Meesy Boobie Rectum Fire Mesa Boogie Rectifieresque fat distortion and putting it way below the electric guitar principal rhythm lines can do amazing things to a seemingly lifeless mix that otherwise wouldn't suffice with bass distortion, and is something I employ in so many pop tunes I have to arrange over here. That being said, bass distortion (and/or blended clean tones with dist) can be great in pop tunes just the same, such as John Shanks' excellent production in the excusable Hilary & Hailey Duff cover of Our Lips are Sealed.
To further indict my listening habits and song studies, Hoobastank's The Reason is one of the worst songs ever written/recorded that makes good use of a rhythmic 7-string guitar exactly as I use a baritone.
They cut through like nobody's business, because no-one in a band occpuies that sonic range: guitars are about the same as a violin, bass the double bass, baritones are like cellos. The improvisation workshop I go too is always plagued by millions of fucking guitarists, so you could never be heard. I took along my baritone and it came through lovely.
I'm about to become baritone-less for the first time in years, and I'll miss it.
I'm about to become baritone-less for the first time in years, and I'll miss it.
- endsjustifymeans
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selling it?benecol wrote:They cut through like nobody's business, because no-one in a band occpuies that sonic range: guitars are about the same as a violin, bass the double bass, baritones are like cellos. The improvisation workshop I go too is always plagued by millions of fucking guitarists, so you could never be heard. I took along my baritone and it came through lovely.
I'm about to become baritone-less for the first time in years, and I'll miss it.
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I imagine somewhere in the depths of hell Satan has that song on repeat.ultratwin wrote:Dingus wrote:Do you guys play a ton of baritone stuff though? I have a baritone and I feel like I barely use it for anything, nice to have though!
To further indict my listening habits and song studies, Hoobastank's The Reason is one of the worst songs ever written/recorded that makes good use of a rhythmic 7-string guitar exactly as I use a baritone.
- endsjustifymeans
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- endsjustifymeans
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- SKC Willie
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- endsjustifymeans
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I actually do. I'm a huge CURE fan, and have made a point of seeking out interesting music featuring the VI. I have 2 Schecter Hellcat VI's, a Danelectro Loghorn VI, an OLP MM-5 (strung E-E), an Ibanez AX110XL (strung B-B) and am having a replica of a Teisco TB-64 built for me even as we speak.Dingus wrote:Do you guys play a ton of baritone stuff though? I have a baritone and I feel like I barely use it for anything, nice to have though!
I LOVE low-strung guitars!
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