Mic'ing acoustic live when you can't choose mics?
Posted: Sun Aug 01, 2010 1:05 am
What's the best approach for getting the acoustic guitar sound into the PA when you've only got one mic, not of your choosing, and only a few seconds to set up?
One place I was playing had a handheld condenser - that worked great as long as you didn't get it too close too the soundhole. I just floated it around the 12th fret and pointed it at the body.
The other places just have regular cardioid or hyper-cardioid dynamics - how do you get a good signal strength into these without the sound getting boomy? Soundhole area has plenty of volume, but too much bass. Going closer to the neck makes the volume too low. What about the top behind the bridge, since this is the part that acts like a speaker?
Ideas?
One place I was playing had a handheld condenser - that worked great as long as you didn't get it too close too the soundhole. I just floated it around the 12th fret and pointed it at the body.
The other places just have regular cardioid or hyper-cardioid dynamics - how do you get a good signal strength into these without the sound getting boomy? Soundhole area has plenty of volume, but too much bass. Going closer to the neck makes the volume too low. What about the top behind the bridge, since this is the part that acts like a speaker?
Ideas?