too light for my taste, i digs me some dean markely blue steel 11-52. i think the sig series is 11-56, i used those for a while.
use manland strings on your shortscales!
Manland strings aren't necessary for shortscales but "balanced tension" sounds like a bit of a marginal-difference gimmick, and the guy playing a Mustang on the pack isn't saying anything except "hey look at us, we're hip" (snaps fingers and does Macerena).
Aug wrote:which one of you bastards sent me an ebay question asking if you can get teh kurdtz with that 64 mustang?
robertOG wrote:fran & paul are some of the original gangstas of the JS days when you'd have to say "phuck"
Players have been doing this for years, mixing up string gauges to get even tension across all strings.
Just now you can buy them in one pack rather than mix and match your own. Are they now the same piece as when i looked a few weeks ago they were at least double the price of a normal set.
Mike wrote:All my LEDs are bright, the blues are bright as all hell.
mezzio13 wrote:JJ makes sweeps look easy and effortless. His nick name should be broom.
All of the GHS Boomer standard sets have well balanced tensions. They don't advertise it as a feature, though.
It's part of the reason why I switched in the first place. I liked the D'Addario balanced sets but they didn't make them in 10.5s. GHS has the Boomers in all the half sizes. So I switched, I prefer balanced tension because it provides more predictable performance with trems and such for me.
I really don't get these new balanced sets at all. The thing is, D'Addario already did this. I used the EXL111 sets for a while. I don't know what this reinvention tactic is, especially since they haven't extended the concept to half gauges, which is something they should have done in the first place.
Of course they matter. From 9s to 10s, you're gaining about 23% in average string tension, you get a similar bump (about 20%) every time you go up a full gauge. That's a huge increase. Half gauges let you slice that difference in half.
As a point of comparison, going from a Mustang to a Strat scale is only 13% added string tension. I think most of us would agree that the same string set feels pretty different on a Mustang or a Strat, and that's about the difference that a half gauge makes.
Ironically I'm the other way around, D'addario last way longer than other strings. If you wipe your strings down after every time you play D'addario retain the brightness of the wound strings a lot better than other brands. However the plain string corrode pretty quickly if you don't keep the strings clean.
Don from D'Addario Strings here. I didn't want to dredge up this thread but i wanted to see if anyone here at Short Scale had checked out the BT sets. They don't cost anymore than our normal XLs and they're made with the same strings as well.
They're currently available in .009s, .010s and .011s - as well as three gauges of bass. This is totally a "FEEL" thing. Articulate players will notice that they don't have to adjust their fretting technique nor their picking technique. If I can answer questions for you in this regard - my email is don.dawson2@daddario.com - please don't hesitate.
Don Dawson
Product Marketing Specialist
D'Addario / Planet Waves
ddawson2014 wrote:Don from D'Addario Strings here. I didn't want to dredge up this thread but i wanted to see if anyone here at Short Scale had checked out the BT sets. They don't cost anymore than our normal XLs and they're made with the same strings as well.
They're currently available in .009s, .010s and .011s - as well as three gauges of bass. This is totally a "FEEL" thing. Articulate players will notice that they don't have to adjust their fretting technique nor their picking technique. If I can answer questions for you in this regard - my email is don.dawson2@daddario.com - please don't hesitate.
I have recently been thinking of changing down from 12's to 10's or 11's as I am finding the tension of the 12's a little limiting. I would be happy to review your new string if you wish to send me some to try.
Thanks