I couldn't quite put my finger on it at first, but the white pickup covers and white pickguards mess ruin the aesthetic for me.
Kinda reminiscent of strats with lace sensors.
On the up side, no headstock truss rod access or stop-tail shennanigans.
Those prices are insane. I mean, they look nice, but there's nothing out of the ordinary on them whatsoever other than the custom colors. Why would someone pay that much for one, especially when you could make or assemble your own for a fraction of that? Just crazy...
Pretty much agree with everyone above - pickguards and covers look off, price tag is ridiculous.
Maybe I've gotten too used to the the shortscale crowd, but how comes everywhere else the Jaguar seems to be considered a 'grown up' guitar in spite of it's short scale, while the Mustang still seems to be seen as a 'student' model by Fender US and its patrons (esp the wealthier ones)? There seems to be a ton of high-end US Jag re-issues, and only this one, squiffy, Mustang effort outside of Japan.
The Jag is great, for sure, but I don't understand the disparity in attitude towards the two models.
markarkark wrote:Pretty much agree with everyone above - pickguards and covers look off, price tag is ridiculous.
Maybe I've gotten too used to the the shortscale crowd, but how comes everywhere else the Jaguar seems to be considered a 'grown up' guitar in spite of it's short scale, while the Mustang still seems to be seen as a 'student' model by Fender US and its patrons (esp the wealthier ones)? There seems to be a ton of high-end US Jag re-issues, and only this one, squiffy, Mustang effort outside of Japan.
The Jag is great, for sure, but I don't understand the disparity in attitude towards the two models.
It does seem like that, doesn't it. Sort of like the Mustang is the red-headed stepchild of the shortscale/offsets. Not sure why that is. Maybe because of its size? I don't know...
Maybe because of it's bridge setup, which combined with the pickup switching does make it an overall more squirrelly experience than a Jag.
I'd say the few features it shares with the Mustang are probably a bit more evenly implemented on the Jag (obviously the kind of statement that is down to personal preference though). Scale length withstanding, they really aren't all that similar an experience; it's hardly the same guitar with a different body shape or anything.
Also, the Jaguar was never marketed as a student/entry guitar whereas the Mustang absolutely was. Jags may be shortscale, but they're big. Mustangs are thin and titchy.
Aug wrote:which one of you bastards sent me an ebay question asking if you can get teh kurdtz with that 64 mustang?
robertOG wrote:fran & paul are some of the original gangstas of the JS days when you'd have to say "phuck"
Somebody please explain to me, why would somebody pay that much for a "Closet Classic" Mustang, when *real* old Mustangs are readily available and far less costly?
Is there something actually different about these Mustangs? Aside for the color schemes which, as others have pointed out are not particularly attractive due to the white pickguards & pickup covers.
I just don't get it.
Regarding the Jaguar vs. Mustang question, IMO it's at least partly because that's the way the models were historically marketed by Fender, from the get-go. The Jaguar was created and marketed as the successor to the oh-so-adult Jazzmaster. The Mustang was created and marketed as the step-up student guitar, above (and IIRC intended to replace)the student-model Duo-Sonic.
They have a couple for sale at Thomann. They come with a very nice set of tools, a good cable, and an expensive strap which probably slides off your shoulder.
paul_ wrote:When are homeland security gonna get on this "2-piece King Size Snickers" horseshit that showed up a couple years ago? I've started dropping one of them on the floor of my car every time.