cheap noise synth or easy 2 build kit?
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cheap noise synth or easy 2 build kit?
can anyone recommend a good starting place for noisey synth w knobs on it? babybox? ataripunk console? is ther something like this thats already built and less than 200 dollars?
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- laterallateral
- Traynor or Death
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Arturia Microbrute.
Patch the gate out trough the gate in and it will produce a continuous tone, set the LFO rate so that it's in the audio range and the filter to self-oscilate and FUCK AROUND.
Maybe run it rough a delay for double squelch bonus points.
Patch the gate out trough the gate in and it will produce a continuous tone, set the LFO rate so that it's in the audio range and the filter to self-oscilate and FUCK AROUND.
Maybe run it rough a delay for double squelch bonus points.
Last edited by laterallateral on Fri Sep 19, 2014 3:05 pm; edited 115,726 times in total
Haha, a designer at work just bought one of these and had it delivered to work; had a quick go, WAAAAY funlaterallateral wrote:Arturia Microbrute.
Patch the gate out trough the gate in and it will produce a continuous tone, set the LFO rate so that it's in the audio range and the filter to self-oscilate and FUCK AROUND.
Maybe run it rough a delay for double squelch bonus points.
- laterallateral
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One of my favourite tricks is to send LFO instructions to multiple destinations, like Filter, pitch and one of the oscillator waveforms, using this thing:

A seriously mandatory piece of kit, for anybody delving in the Eurorack/CV world.

A seriously mandatory piece of kit, for anybody delving in the Eurorack/CV world.
Last edited by laterallateral on Fri Sep 19, 2014 3:05 pm; edited 115,726 times in total
just watched the youtube videos if these... I need one of these, now to see what I can sell to fund it.Doog wrote:Haha, a designer at work just bought one of these and had it delivered to work; had a quick go, WAAAAY funlaterallateral wrote:Arturia Microbrute.
Patch the gate out trough the gate in and it will produce a continuous tone, set the LFO rate so that it's in the audio range and the filter to self-oscilate and FUCK AROUND.
Maybe run it rough a delay for double squelch bonus points.
XY
The microbrute is amazing for the price.
Other options are any cheap synth & use your pedals. I piss about with a old Casio sk1 & my effects for some great sounds. The flute sound and a muff is lots of fun
Other options are any cheap synth & use your pedals. I piss about with a old Casio sk1 & my effects for some great sounds. The flute sound and a muff is lots of fun
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- laterallateral
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I think the MS-20 and MiniBrute are too different to be compared directly. The MS-20 is flat-out a way more powerful studio instrument than either of the Brutes but I'd be worried about trying to program it live, unless I was doing improv sets. The MiniBrute with it's arpeggiator and full sized keys, is much better suited to "keyboard in band" type of performance.
The MicroBrute is a bit more of a best of both worlds kind of thing. You get some limited but pretty stable modular routing options to fuck around with but you also get a little step sequencer and a few memory locations to save your patterns in.
TLDR:
MS-20 = In your studio for making horror movie soundtrack music
MiniBrute = On top of your Nord Stage for doing cool bass groves, in your indie-rock band
MicroBrute = On a folding card table, running trough a delay and a KaosPad, to play to 6 people in a basement
The MicroBrute is a bit more of a best of both worlds kind of thing. You get some limited but pretty stable modular routing options to fuck around with but you also get a little step sequencer and a few memory locations to save your patterns in.
TLDR:
MS-20 = In your studio for making horror movie soundtrack music
MiniBrute = On top of your Nord Stage for doing cool bass groves, in your indie-rock band
MicroBrute = On a folding card table, running trough a delay and a KaosPad, to play to 6 people in a basement
Last edited by laterallateral on Fri Sep 19, 2014 3:05 pm; edited 115,726 times in total
Seems like a good rundown to me.laterallateral wrote:MS-20 = In your studio for making horror movie soundtrack music
MiniBrute = On top of your Nord Stage for doing cool bass groves, in your indie-rock band
MicroBrute = On a folding card table, running trough a delay and a KaosPad, to play to 6 people in a basement
ahah, i've the microbrute, is awesome and a really good way to get into synths. It's best for bass sounds and crazy stuff, not great for lead, but I don't think mono synths are great for lead. The sequencer is really cool, but i wish they had some light for step or something, like in the korg stuff.laterallateral wrote:I think the MS-20 and MiniBrute are too different to be compared directly. The MS-20 is flat-out a way more powerful studio instrument than either of the Brutes but I'd be worried about trying to program it live, unless I was doing improv sets. The MiniBrute with it's arpeggiator and full sized keys, is much better suited to "keyboard in band" type of performance.
The MicroBrute is a bit more of a best of both worlds kind of thing. You get some limited but pretty stable modular routing options to fuck around with but you also get a little step sequencer and a few memory locations to save your patterns in.
TLDR:
MS-20 = In your studio for making horror movie soundtrack music
MiniBrute = On top of your Nord Stage for doing cool bass groves, in your indie-rock band
MicroBrute = On a folding card table, running trough a delay and a KaosPad, to play to 6 people in a basement
I really played on a ms20 for 20 minutes, it's cool, but it's not a simple intuitive synth.
I would only get a minibrute over a microbrute if you really need the big keys, but since they are mono synths I don't really see the need...
If you have an ipad get the isem, imini and a midi keyboard and you'll be happy forever.
- laterallateral
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