is the sound of the Strat in the cheapness of its parts?
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is the sound of the Strat in the cheapness of its parts?
You may have noticed I'm on a bit of a Stratocaster tip at the moment so... I was in Glasgow today and played quite a few Strats and S type guitars and it flung up this question. I played a fender select, a Tyler, one beginning with an A that I can't remember the name and lots of 0s on the price tag and the most Straty sounding Strat of the day was the Squier cv 60s Strat. So as the price rises the materials allegedly get better but the guitars sound less like they're supposed to... What say you, am I talking shite or have you had the same thought?
XY
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I don't imagine Leo used the highest grade rolled steal or brass available for the originals, alot of his decisions seemed to be made on a balance of cost v function as anything I've read has said he used whatever wood he could get his hands on. So these high end variations must be quite far from the original beasties...
XY
I have an American Deluxe Ash with N3's that has that ultimate bright sparkly strat quack. Surprising because the PU's are noise cancelling and a lot of players complain that they aren't straty enough. I also have a MIM 60th anniv with TexMex PU's and it also sounds bright and quacky. Sadly my other strats are kinda meh by comparison.
Disciple of Pain
"I'm like the monkey screwing the skunk. I haven't had enough, but I've about had all that I can stand!"
"Born to Lose. Live to Win." Lemmy Kilmister
"I'm like the monkey screwing the skunk. I haven't had enough, but I've about had all that I can stand!"
"Born to Lose. Live to Win." Lemmy Kilmister
I was thinking more in the way of hardware, trem block materials and saddles, my current Strat has a definite 70s feel to the weight (i.e it's a heavy beastie) but still has that spank n sparkle you expectRox wrote:Light cheaper resonant wood, thin paint and a bolt on neck? There's truth to that.
XY
I don't know what you played and can't explain what you feel.dezb1 wrote:But the cheap and the expensive ones were designed the same only the "quality" of the parts differed.jcyphe wrote:The sound of the strat is its design.
Also a lot of modern strat makers change things like the neck heel, number of frets, type of vibrato, type of tuners.
paul_ wrote:When are homeland security gonna get on this "2-piece King Size Snickers" horseshit that showed up a couple years ago? I've started dropping one of them on the floor of my car every time.
That's my point even fender have changed stuff from the original design 6 point Vs 2 point trems, solid saddles Vs bent steel, noiseless pickups, brass trem blocks locking tunners, but it still says Stratocaster on the headstock... All allegedly upgraded but do these higher quality replacements take the guitar further away from what people loved in the first place?jcyphe wrote:dezb1 wrote:But the cheap and the expensive ones were designed the same only the "quality" of the parts differed.jcyphe wrote:The sound of the strat is its design.
a lot of modern strat makers change things like the neck heel, number of frets, type of vibrato, type of tuners.
XY
Fender make all the Strats with all the bridges. It would be sort of an empty gesture to give brownie points to Squier for doing a "Classic Vibe" Strat that sounds Stratty while disparaging Fender for their 2015 "Select Stratocaster" doing something different, even as unimpressed as I am with such Strat ventures. There's always the MIM Classic and AVRI lines (which do full-on '60s reissues with the proper necks and potentiometer value and all) holding down the OG swag, and I've yet to play a Squier I enjoy as much as either of those due to the contemporary radius (how's that for an upgrade).
If it's trying to be a classic Strat and it doesn't sound Stratty, odds are it's a front for drug trafficking or Scientology or something, just put it down and wash your hands.
This is the Fender you played:
If it's trying to be a classic Strat and it doesn't sound Stratty, odds are it's a front for drug trafficking or Scientology or something, just put it down and wash your hands.
This is the Fender you played:
I can tell just from reading that it's not trying to be a classic Strat but some blueslawyer shit.Its modern “C� shaped flame maple neck has a comfortable contoured heel, Bi-Flex™ truss rod system for rock-solid stability, a satin lacquer back finish and rear-headstock “Fender Select� medallion. The smooth-playing compound radius flame maple fretboard (9.5�-14�) has 22 medium jumbo frets, stylish black pearloid position inlays and gloss lacquer finish. Pure and singing signature sound comes from new Fender Select Stratocaster single-coil neck, middle and bridge pickups with five-way switching and a no-load tone control that delivers the natural uncolored sound of the bridge pickup when dimed.
Aug wrote:which one of you bastards sent me an ebay question asking if you can get teh kurdtz with that 64 mustang?
robertOG wrote:fran & paul are some of the original gangstas of the JS days when you'd have to say "phuck"
I wasn't saying fender don't make a good Strat any more, more that the constant striving for exclusivity seems to be getting further away from the original idea. I also played a mim Strat which was setup so badly I don't know how good the guitar might have actually sounded... This wasn't a props to Squire thread, more a thought on the 50s/60s fenders that are now hallowed instruments being made to a cost and being very basic, as opposed to some modern versions with all the bells and whistles that sound a bit dull and lifeless.
XY
I've always wondered if the 50's and 60's strats actually sound better than todays offerings, but I've never had the liberty of playing them. Unfortunately the quality control and craftsmanship went to shit in the 70's after Fender was purchased by CBS, so guitarist started pining for the good old days and the value on those 50-60's strats skyrocketed as a result. I can't see paying $30,000.00 for a strat, but that's the price some are willing to pay to hold a piece of history in their hands. I tend to lean toward less expensive guitars too, it's strange, but I usually appreciate the feel and sound of these instruments better. My American has spent most of it's existence in it's case. I have often wondered if it's a character flaw in some of us or are we just more open minded to the idea that an inexpensive instrument can sound as good or better than an expensive one?dezb1 wrote:I wasn't saying fender don't make a good Strat any more, more that the constant striving for exclusivity seems to be getting further away from the original idea. I also played a mim Strat which was setup so badly I don't know how good the guitar might have actually sounded... This wasn't a props to Squire thread, more a thought on the 50s/60s fenders that are now hallowed instruments being made to a cost and being very basic, as opposed to some modern versions with all the bells and whistles that sound a bit dull and lifeless.
Disciple of Pain
"I'm like the monkey screwing the skunk. I haven't had enough, but I've about had all that I can stand!"
"Born to Lose. Live to Win." Lemmy Kilmister
"I'm like the monkey screwing the skunk. I haven't had enough, but I've about had all that I can stand!"
"Born to Lose. Live to Win." Lemmy Kilmister
Character flaw indeed, I have this built-in need to keep stuff good - the more expensive a guitar is the more I'll baby it and therefore not enjoy it fully. Where as with an £80 pre banged up guitar I'm not so precious. I've realised I'm better of buying B stock for this reason if I get a mint guitar it'll stay mint at the cost of just enjoying playing it and not giving a fuck... I've always wondered about how good a 50s/60s guitar really is they must've had their fair share of lemons too... But nobody who just paid £30,000 for a guitar is going to publicly humiliate them selves buy saying the guitar I shite.speedfish wrote:I've always wondered if the 50's and 60's strats actually sound better than todays offerings, but I've never had the liberty of playing them. Unfortunately the quality control and craftsmanship went to shit in the 70's after Fender was purchased by CBS, so guitarist started pining for the good old days and the value on those 50-60's strats skyrocketed as a result. I can't see paying $30,000.00 for a strat, but that's the price some are willing to pay to hold a piece of history in their hands. I tend to lean toward less expensive guitars too, it's strange, but I usually appreciate the feel and sound of these instruments better. My American has spent most of it's existence in it's case. I have often wondered if it's a character flaw in some of us or are we just more open minded to the idea that an inexpensive instrument can sound as good or better than an expensive one?dezb1 wrote:I wasn't saying fender don't make a good Strat any more, more that the constant striving for exclusivity seems to be getting further away from the original idea. I also played a mim Strat which was setup so badly I don't know how good the guitar might have actually sounded... This wasn't a props to Squire thread, more a thought on the 50s/60s fenders that are now hallowed instruments being made to a cost and being very basic, as opposed to some modern versions with all the bells and whistles that sound a bit dull and lifeless.
But the perception of how good the good ones are what we blindly base our scale on...
XY
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