Steinberger Redux
Posted: Thu Feb 01, 2018 8:39 pm
Spot on.Fran wrote:Been tempted with the Hohner version more times than I remember.
Borderline design. Look great or awful, depending on the person/artist/band.
Yet another weird but cool guitar... post a pic of your collection of oddities.gusman2x wrote:I have the hohner version. Never really gotten on with it. Might have something to do with the awful set up and broken pickup.
That's bullshit. These are made of wood. Might as well just get the the hohner version version.
So do all the "long" neck guitars, like SGs, ES335s, Dot's Yamaha SA50...gusman2x wrote:so it pushes the 1st fret really far to your left.
It does now, he snapped the headstock off on that jerks head during the bar fight...sunshiner wrote:So do all the "long" neck guitars,Dot's Yamaha SA50...gusman2x wrote:so it pushes the 1st fret really far to your left.
Wasn't it like Nick's guitar? I can't believe Dot smashed Nick's guitar on that jerk's headFran wrote:It does now, he snapped the headstock off on that jerks head during the bar fight...sunshiner wrote:So do all the "long" neck guitars,Dot's Yamaha SA50...gusman2x wrote:so it pushes the 1st fret really far to your left.
I just reread this article about Alan Moulder's take on the recording of Loveless. He specifically mentions Kevin's use of the Steinberger bass. Really good read for any MBV fans on the board.singlepup wrote:Kevin Shields used one of these on Loveless because he wanted to record bass without compression. The signal stays relatively level when moving up and down the fretboard. Quite different from your typical P-Bass.
if this is true then its a miracle and I suport them...singlepup wrote:Kevin Shields used one of these on Loveless because he wanted to record bass without compression. The signal stays relatively level when moving up and down the fretboard. Quite different from your typical P-Bass.
Thanks for posting that link. Interesting read.singlepup wrote:I just reread this article about Alan Moulder's take on the recording of Loveless. He specifically mentions Kevin's use of the Steinberger bass. Really good read for any MBV fans on the board.singlepup wrote:Kevin Shields used one of these on Loveless because he wanted to record bass without compression. The signal stays relatively level when moving up and down the fretboard. Quite different from your typical P-Bass.
http://www.polymathperspective.com/?p=3305
wow u seem fun and creativerobroe wrote:these represent to me everything that i hate about 80's fake ass music