Because my company makes one now, and it's pretty fuckin sweet.
[youtube][/youtube]
Posted: Tue Mar 20, 2018 5:09 pm
by Doog
I'm not a phaser fan, but THOSE GRAPHIXXXXXXXXXX
Love the non-trad sounds as always, wibbleywibbley
Posted: Tue Mar 20, 2018 5:32 pm
by aen
60's optimism wooooooooooooo!
Posted: Tue Mar 20, 2018 6:35 pm
by Bacchus
This is awesome. I've always liked the effect of phasing but hated that it was always tied to an LFO which never sounded good.
Posted: Tue Mar 20, 2018 8:00 pm
by Concretebadger
That's absolutely batshit. In a good way. The "pause" control is a nice touch.
At the beginning of the vid, it reminded me a little of a Small Stone in the "high" color mode, but the other sounds are utterly demented. The "secret" mode looks like it might take a little while to get used to, but I've honestly not seen a phaser do as much crazy stuff as this before.
Posted: Tue Mar 20, 2018 8:54 pm
by robroe
WATCHED VIDEO.
LEFT COMMENT. ABOUT BELL TONES.
I STILL WANT YOU TO MAKE ME A PEDAL THAT MAKES THE GUITAR SOUND LIKE A DRUM.
LIKE SUPER LOUD SUSTAINY GUITAR SONDZ BUT KICKS YOU IN THE BALLS LIKE A DRUM WHEN YOUR PICK HITS THE STRING AT THE START OF THE STRUM.
THE BELL IS NICE.
BUT A DRUM NEXT TIME
Posted: Wed Mar 21, 2018 4:25 am
by aen
Concretebadger wrote:That's absolutely batshit. In a good way. The "pause" control is a nice touch.
At the beginning of the vid, it reminded me a little of a Small Stone in the "high" color mode, but the other sounds are utterly demented. The "secret" mode looks like it might take a little while to get used to, but I've honestly not seen a phaser do as much crazy stuff as this before.
Dude, I still have to check the "cheat sheet" for the secret menu.
Posted: Thu Mar 22, 2018 1:18 pm
by Doog
robroe wrote:
LIKE SUPER LOUD SUSTAINY GUITAR SONDZ BUT KICKS YOU IN THE BALLS LIKE A DRUM WHEN YOUR PICK HITS THE STRING AT THE START OF THE STRUM.
Compressor/limiter with a slow attack and quick decay, I reckons. It'll make the initial THWACK jump out more than the rest.
The only problem is that if you run this with distortion/overdrive (before OR after), it'll squash all of those dynamics out and not sound much different.
You'd need some sort of side-chain compression that will REACT to the clean input signal, but do the cool compression stuff on a distorted signal version.
