BearBoy wrote:They tend to skip 4 as it’s unlucky in Japan (or something). I think the PQ-4 might have been the only “4� they’ve released.
OC-3 came out in 2003.
Ah, I knew about 4 being unlucky but hadn't made the connection with Boss naming conventions.
Although the Nano POG has crummy latency compared to the Micro, the tonality was always pretty similar. It seems like the OC-5 is very SUBZ focussed; I guess it's just got a lot of high-pass filtering done to it, much like that TC Sub N Up octaver:
I watched Rabea's video too, it definitely suits a thick driven sound because the CLANK of the Micro POG can sound pretty phoney at times.
I'm not still not convinced it tracks as well as the POG though (watched a bunch of shit because I'm a massive loser), but that Range and LOWEST setting is a winner, esp as the Octave Up isn't affected. Will probs get one.
it's because we read using the shapes of familiar groups of letterforms, once we've got the hang of reading. That's why Disney's logo says "Disney", not "DISNEY". Capital letters just look like big rectangles.
When I was wee I always though it was Disnep, because of their shite typography. I remember watching tapes when I was three or four and being annoyed because people kept calling them Disney films but they said Disnep at the start.
PYJAMA looks weird but so too does pyjama. Crap word.
BearBoy wrote:I was a big fan of Gnid Blyton books as a small child.
Yes. I also was frustrated at how there were .s after Mrs. and Mr.
As a protest, four year old me would read those as full stops, knowing that it broke the sentence and made the work unintelligible. I hadn't yet found out how abbreviations worked.
I'd think "this is stupid, these aren't supposed to be here, I'm going to ruin the book because of it."