EAT JUST ONE
Moderated By: mods
EAT JUST ONE
Assuming we have come a long way in pickup development over the past 40 years, if you were to only have ONE pickup in a guitar, what would it be? I have a later 70s Musicmaster with ONE single coil rout. I have a period correct pup, but I also have a Lil 59 HB. One of those, or door number 3?
Who has some favorites? I found one on ebay that is actually for sale locally. I don't know if he would stop the auction or not. It's a Burns TriSonic pickup by Kent Armstrong. This is the sales pitch. It sounds like a real FUCKER.
Original Tri-Sonics were favored by Brian May and Hank Marvin of the Shadows. Enclosed in a chrome cover, true to the original vintage design, the Armstrong 'Tri-Sonic' is a wonderfully unique sounding pickup that's easy on the eyes. The power and punch of a ceramic magnet is used to produce a sweet, full-sounding tone, characterized by tight lows, light mids, and airy highs. Somewhere between the quack of a single coil and the growl of a P-90
Or here is a Bill Lawrence tall strat looking thing:
The L-280 is for players that love the beautiful rich sound of a traditional single coil pickup without the tormenting 60 cycle hum -- but that's not all. What seems to be a tame, sweet pussycat at lower volume levels turns into a wild beast when you turn up your amp! Remember, high-volume players, like Jimi Hendrix and Roy Buchanan, did not use so-called "power pickups." The L-280's low magnetic attraction allows your guitar its full, natural sustain --even if you adjust them very close to the strings -- to enjoy their maximum performance! They easily compete in tone and in output with the finest single coil pickups ever.
Who has some favorites? I found one on ebay that is actually for sale locally. I don't know if he would stop the auction or not. It's a Burns TriSonic pickup by Kent Armstrong. This is the sales pitch. It sounds like a real FUCKER.
Original Tri-Sonics were favored by Brian May and Hank Marvin of the Shadows. Enclosed in a chrome cover, true to the original vintage design, the Armstrong 'Tri-Sonic' is a wonderfully unique sounding pickup that's easy on the eyes. The power and punch of a ceramic magnet is used to produce a sweet, full-sounding tone, characterized by tight lows, light mids, and airy highs. Somewhere between the quack of a single coil and the growl of a P-90
Or here is a Bill Lawrence tall strat looking thing:
The L-280 is for players that love the beautiful rich sound of a traditional single coil pickup without the tormenting 60 cycle hum -- but that's not all. What seems to be a tame, sweet pussycat at lower volume levels turns into a wild beast when you turn up your amp! Remember, high-volume players, like Jimi Hendrix and Roy Buchanan, did not use so-called "power pickups." The L-280's low magnetic attraction allows your guitar its full, natural sustain --even if you adjust them very close to the strings -- to enjoy their maximum performance! They easily compete in tone and in output with the finest single coil pickups ever.
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Of course, choosing one pickup for "a" guitar is diff. from chosing one single-coil-sized pickup for a Musicmaster. My MMs have tons of "pop" in the pick attack (the sustain's there, but it's somewhat overwhelmed by the loud attack), and a pickup with strong magnets will emphasize this even more. While the pickup placement gives a good balance between highs and lows, MMs are not overly bright-sounding, and an "overwound" pickup will remove even more top end from your tone. So beefy magnets and lots of windings are not necessarily better.DGNR8 wrote:if you were to only have ONE pickup in a guitar, what would it be? I have a later 70s Musicmaster with ONE single coil rout.
If your MM was my MM.... My top three choices would be:
-- Hand-wound Strat/Mustang/Duo pickup, wound to about 5.5K, flat polepieces (not staggered). That'll provide all the high end needed, and any extra I'd just roll off slightly with the tone knob. Maybe experiment with tone cap values too. This is basically my '66 MM setup (stock pickup 5.4K), and it works well for all sorts of music -- the art of tone knob tweakage is crucial.
-- Steel-poled Strat pickup like this or this. Maybe use 500K pots and experiment with the tone cap value again if more highs are needed.
-- Traditional Telecaster bridge pickup in a filed-out pickguard hole (that black stuff around the pickup

Here's my '78 MM, with funky mystery Tele-Burns-ish pickup in the neck position. This is a loud, dark, poppy chunk-tar, but there are some good sounds in there. I'll probably swap to 500K pots eventually and/or a hi-bypass mod on the volume knob to get some more highs in there.