i'm half tempted to get some sort of flat bodied with a stop tail TOM and try my hand at routing for a jaguar tremolo.
or
Posted: Fri Jan 03, 2014 9:49 pm
by Bacchus
benecol wrote:Yep, much more like a great tele bridge pickup.
See, that's what I like about the mean 90s. The bridge is still nice and spiky and a bit harsh sounding, but still sounds girthy and big. Then, I have my aerodyne tele which has a P-90 in the neck and the bridge is properly "make your ears bleed" harsh.
I have a set of dream 180s on my way to have a go at them. I might get the 90s if I can find a guitar to drop them in.
Posted: Fri Jan 03, 2014 9:53 pm
by Progrockabuse
George wrote:i'm half tempted to get some sort of flat bodied with a stop tail TOM and try my hand at routing for a jaguar tremolo.
or
very elliot easton
Posted: Fri Jan 03, 2014 9:55 pm
by Progrockabuse
George wrote:
the mustang and jag trems i've owned have been able to move from standard to open G (low E unchanged) and drop D while staying almost completely in tune. i mean is it as bad as something like a floating strat trem or floyd where it's all synchronized?
the bain of my strat, as much as i love it. though the block of wood stuffed in the back has solved that lol
Posted: Fri Jan 03, 2014 11:24 pm
by George
my local shop has one of these in. gonna try it out tomorrow. birthday treat
Posted: Fri Jan 03, 2014 11:46 pm
by lorez
George wrote:my local shop has one of these in. gonna try it out tomorrow. birthday treat
That looks great
Posted: Sat Jan 04, 2014 12:48 am
by Fran
Progrockabuse wrote:
George wrote:
the mustang and jag trems i've owned have been able to move from standard to open G (low E unchanged) and drop D while staying almost completely in tune. i mean is it as bad as something like a floating strat trem or floyd where it's all synchronized?
the bain of my strat, as much as i love it. though the block of wood stuffed in the back has solved that lol
Its a big ask for any floating system to stay in tune with alternate tunings.
Hence the Drop D mechanism developed by EVH.
Posted: Sat Jan 04, 2014 3:53 am
by Freddy V-C
George wrote:also, HOLY MOLY - look at that neck heel
nope.
I don't even think this bothers me. Am I some kind of weirdo pervert?
Posted: Sat Jan 04, 2014 9:22 am
by George
No I'm just a wuss. That's one on eBay btw for 200 or best offer btw "vintage vs6 graham Oliver". I'm out if you fancy it
Posted: Sat Jan 04, 2014 10:54 am
by Freddy V-C
Cheers, but I'd need to shift my Jagmaster first... DRAT.
Posted: Sat Jan 04, 2014 10:55 am
by George
Fran wrote:
Progrockabuse wrote:
George wrote:
the mustang and jag trems i've owned have been able to move from standard to open G (low E unchanged) and drop D while staying almost completely in tune. i mean is it as bad as something like a floating strat trem or floyd where it's all synchronized?
the bain of my strat, as much as i love it. though the block of wood stuffed in the back has solved that lol
Its a big ask for any floating system to stay in tune with alternate tunings.
Hence the Drop D mechanism developed by EVH.
yeah this is why jaguar trems are top tier. looking to spend some time with a bigsby today. generally i think they look gash but on that gretsch it definitely works. most i've played i think have been set up badly
Posted: Sat Jan 04, 2014 10:56 am
by George
Freddy V-C wrote:Cheers, but I'd need to shift my Jagmaster first... DRAT.
tried out the gretsch just now. they only had the gold one in store. very nice sound, really dig the size and look too, but the neck profile is very chunky, almost U shaped. one thing i will say is that the bass strings sounded very dull like flat wounds. i thought this was old strings, however it seems this is normal for filtertrons? that is not good either
it also had the very same egregious neck joint as that Vintage SG. i think it may be a deal breaker, but when all's said and done i don't use the higher frets too much anyway. had to come home cos tracys family are coming over but will be going out again later to try some more.
so i guess don't know what i'm looking for really. i'm just gonna try out a load of things. it may be that i still go for a nice playing and looking twin humbucker guitar and then add some filtertrons or p90 from there
Posted: Sat Jan 04, 2014 5:10 pm
by timhulio
Aside from the heel, that white SG looks pretty cool. I just googled Graham Oliver - he was the guitarist in Saxon. I guess someone had to be.
Posted: Sat Jan 04, 2014 5:52 pm
by George
yeah the heel is ugly but i don't think it's much different from a bolt on guitar.
tried out a lot of the lower end gretsch models and they all sound bad. the problem is how imbalanced the eq is across strings. lovely chimey bright treble strings and muddy bass strings, no matter how new the strings are. i was willing them to be good but it didn't work. i did like the bigsbys however.
i then looked for p90 guitars. the ONLY one they had in stock was a jim adkins telecaster. it sounded amazing and reinforced that i really want a p90 equipped guitar.
so i think i'm going to go back to basics and do things on the cheap. i'm after one of these
George wrote:yeah the heel is ugly but i don't think it's much different from a bolt on guitar.
tried out a lot of the lower end gretsch models and they all sound bad. the problem is how imbalanced the eq is across strings. lovely chimey bright treble strings and muddy bass strings, no matter how new the strings are. i was willing them to be good but it didn't work. i did like the bigsbys however.
i then looked for p90 guitars. the ONLY one they had in stock was a jim adkins telecaster. it sounded amazing and reinforced that i really want a p90 equipped guitar.
so i think i'm going to go back to basics and do things on the cheap. i'm after one of these
Alan Sparhawk from Low plays one of them live.
Posted: Sat Jan 04, 2014 10:30 pm
by Fran
timhulio wrote:Aside from the heel, that white SG looks pretty cool. I just googled Graham Oliver - he was the guitarist in Saxon. I guess someone had to be.
I liked their early heavy stuff but then they went to America and came back all glammed up playing Cock Rock. Apparently, Oliver started using Vintage guitars after he had an old Gibson SG stolen on a tour. Affordable and reliable was his line if I remember right, also less to insure.