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Fulltone Fulldrive II

Posted: Fri Jun 27, 2008 4:11 pm
by mewithoutus
i gots one:

Image

looks just like that except mine has the lame black knobs :x :x :x

either way, i loves it. its way less compressed than the od3, very open, and it gets very saturated without being super high gain. its awesome.

sonds sometime...

Posted: Fri Jun 27, 2008 7:12 pm
by Mike
Oh look a tubescreamer

Posted: Fri Jun 27, 2008 7:15 pm
by light rail coyote
Mike wrote:Oh look a tubescreamer
that's blue with more knobs

Posted: Fri Jun 27, 2008 9:39 pm
by mewithoutus
yeah its loosley based on the tubescreamer circuit.

but i used to have a ts9 and it was nothing like this.

anyway, i really like it. i didnt think i would really be into TS style circuits, but the bad monkey is amazing and the fulldrive is so much more than a tubescreamer, in that its not some mid hump catastrophe.

im still getting used to it and messing with it. we shall see what if i really love it.

im not gonna lie, i was swayed into buying it because i noticed that chris walla uses it, and his tones are amazing.

Posted: Fri Jun 27, 2008 9:45 pm
by boyecho
mewithoutus wrote:yeah its loosley based on the tubescreamer circuit.

but i used to have a ts9 and it was nothing like this.

anyway, i really like it. i didnt think i would really be into TS style circuits, but the bad monkey is amazing and the fulldrive is so much more than a tubescreamer, in that its not some mid hump catastrophe.

im still getting used to it and messing with it. we shall see what if i really love it.

im not gonna lie, i was swayed into buying it because i noticed that chris walla uses it, and his tones are amazing.
and that has nothing to do with the dr. z right? or is that that other dude in that band... hm..

Posted: Fri Jun 27, 2008 9:50 pm
by Mike
They used to both play through Dr. Z's, I think Gibbard uses this bizarre Hockey Puck shaped distortion.

I'm not really bothered by what they're playing now gearwise, seeing as Narrow Stairs is only 50/50 good and bad songs, and none of the guitar sounds leap out at me particularly. I think he's playing a Tiny Terror or something for dirt, fair play I suppose.

Posted: Fri Jun 27, 2008 10:18 pm
by Aeon
Tubescreamers seem to get a bad rap around here. I agree that the TS9 really colors the signal more than I'd prefer, but if you've never tried one of the better ones (eg: TS808, Maxon version, other various) -- they are much more transparent and really drive amps in a pleasing way.

I'm sure your pedal sounds awesome, and the addition of the boost is incredibly useful -- I've already found the pleasures of a simple MXR Micro amp at the end of my signal chain.

Posted: Fri Jun 27, 2008 10:20 pm
by Mike
Aeon wrote:Tubescreamers seem to get a bad rap around here
They don't, I just don't like them. A lot of people here do.

They're all wrong though.


I don't like an overdrive that saps bass and creates a mid-hump as much as I don't like one with a flubby bass attack.

Posted: Fri Jun 27, 2008 10:26 pm
by Aeon
Mike wrote: I don't like an overdrive that saps bass and creates a mid-hump as much as I don't like one with a flubby bass attack.
Have you ever listened to Stevie Ray Vaughn? How can you say that he has a lack of bass and/or flabby bass attack. The man is probably most responsible for making them so popular.

And while many TS's increase mids, you also have to realize that this is often a major benefit -- especially when you are playing a single-coil guitar through a Fender amp (they naturally have somewhat lower mids). And there are plenty that can adjust this characteristic.

They don't work very well as a primary distortion pedal, but for solos, man, you can't really beat them.

Posted: Sat Jun 28, 2008 4:28 am
by mewithoutus
lets not make this a tubescreamer sandy vagina debate.

gibbard used to play dr z's but hes playing a silvertone 1484 clone his tech built him. chris is playing through a 64 vibrolux and a tiny terror. they both use dr z 2x10 cabs though.

and i can honestly say that i have approximated (pretty damn closely) a bunch of his tones, which isnt even what im trying to do.

i like his sounds, and i like the way his playing comes across. his tech told me he has his fulldrive on almost 100% of the time.

either way, i wanted to see if i could use it as a tool in shaping my own tonal landscape and im still playing with it. who knows i may not like it in the end, but it seems pretty awesome so far.

Posted: Sat Jun 28, 2008 6:46 am
by aen
Aeon wrote:
Mike wrote: I don't like an overdrive that saps bass and creates a mid-hump as much as I don't like one with a flubby bass attack.
Have you ever listened to Stevie Ray Vaughn? How can you say that he has a lack of bass and/or flabby bass attack. The man is probably most responsible for making them so popular.

And while many TS's increase mids, you also have to realize that this is often a major benefit -- especially when you are playing a single-coil guitar through a Fender amp (they naturally have somewhat lower mids). And there are plenty that can adjust this characteristic.

They don't work very well as a primary distortion pedal, but for solos, man, you can't really beat them.
Dude, fender amps also have a billion miles of low end, which helps fix what the Tube screamer fucks up. at least my Ri twin and Silverface Bassman do.

Anyway, remember when Miek called it a Turdscreamer?

When I turn 60, I'm goign to start the hardest, angriest, noiseyest, and scariest band around, and I will call it TurdScreamer.

Posted: Sat Jun 28, 2008 6:46 am
by Mike
Aeon wrote:
Mike wrote: I don't like an overdrive that saps bass and creates a mid-hump as much as I don't like one with a flubby bass attack.
Have you ever listened to Stevie Ray Vaughn? How can you say that he has a lack of bass and/or flabby bass attack. The man is probably most responsible for making them so popular.

And while many TS's increase mids, you also have to realize that this is often a major benefit -- especially when you are playing a single-coil guitar through a Fender amp (they naturally have somewhat lower mids). And there are plenty that can adjust this characteristic.

They don't work very well as a primary distortion pedal, but for solos, man, you can't really beat them.
I hate SRV and I hate guitar solos. Double Fail in my opinion.

I'm all for MIDS. I play a Marshall, I just don't like honky humped mids.

Posted: Sat Jun 28, 2008 6:47 am
by Mike
mewithoutus wrote: shaping my own tonal landscape
Based on some other guy's gear. Nice one.

Posted: Sat Jun 28, 2008 10:08 am
by Progrockabuse
Mike wrote:They used to both play through Dr. Z's, I think Gibbard uses this bizarre Hockey Puck shaped distortion.
sounds like an bionix expandora, a truly amazing pedal.

Posted: Sat Jun 28, 2008 10:47 am
by Wilbur
Progrockabuse wrote:
Mike wrote:They used to both play through Dr. Z's, I think Gibbard uses this bizarre Hockey Puck shaped distortion.
sounds like an bionix expandora, a truly amazing pedal.
+1000. I need one. Bad.

Posted: Sat Jun 28, 2008 11:26 am
by Bacchus
Mike wrote: I hate SRV and I hate guitar solos.
Booo. Jesus you must be a miserable cunt.

Posted: Sat Jun 28, 2008 12:35 pm
by Mike
BacchusPaul wrote:
Mike wrote: I hate SRV and I hate guitar solos.
Booo. Jesus you must be a miserable cunt.
The white man blues does nothing for me.

Posted: Sat Jun 28, 2008 12:41 pm
by Bacchus
How about the blue man whites?

Posted: Sat Jun 28, 2008 12:57 pm
by Mike
Blue Man Group >> SRV.

Posted: Sat Jun 28, 2008 4:38 pm
by aen
+1.

Rock guitar + pvc drums FTW.